Smythe, Colin, Ann Saddlemyer, and Colin Smythe, editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, 1987, pp. 1 - 12.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Augusta Gregory | |
Textual Production | Catherine Carswell | She helped W. G. Fay
to write his history of the Abbey Theatre
, Dublin, The Fays of the Abbey Theatre: An Autobiographical Record (1935), which emphasises the actors and those who managed the... |
Textual Production | Martin Ross | MR
resisted a pressing invitation from W. B. Yeats
and Lady Gregory
to write a play with them for the Abbey Theatre
in Dublin. She needed her writings to earn money, but a probably stronger... |
Textual Production | Teresa Deevy | TD
's next play for the Abbey Theatre (after her hit, Katie Roche), turned from the present to the past: The Wild Goose, set in 1692 with the oppression of the Penal Laws... |
Textual Production | Augusta Gregory | AG
published an historical account of the Abbey Theatre
entitled Our Irish Theatre, subtitled A Chapter of Autobiography. Smythe, Colin, Ann Saddlemyer, and Colin Smythe, editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, 1987, pp. 1 - 12. 8 McDiarmid, Lucy, Maureen Waters, and Augusta Gregory. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525. xvii |
Textual Production | Augusta Gregory | |
Textual Production | Augusta Gregory | AG
wrote several first-rate comedies (many of them set in the fictional Irish village of Cloon), yet she found them difficult and was often apologetic about writing them. She claimed to have created them primarily... |
Theme or Topic Treated in Text | Augusta Gregory |
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