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Bodleian Library
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Mary Robinson | The Bodleian Library
holds some of her letters. |
Textual Production | Michèle Roberts | MR
set her next novel, The Looking Glass, in France at a similar period, the turn of the nineteenth century. Dated from Bodleian Library
acquisition stamp. |
Textual Production | Michèle Roberts | MR
titled her next volume of poetry Psyche and the Hurricane: Poems 1986-1990. Dated from the Bodleian Library
acquisition stamp. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Michèle Roberts | MR
issued a critical book entitled Food, Sex and God: On Inspiration and Writing, a compilation of already-published non-fictional prose. Dated from the Bodleian Library
acquisition stamp. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Margaret Roberts | MR
, as the author of The Atelier du Lys, published another children's novel, Stéphanie's Children, set in France at the time of the Revolution, and centred on a female protagonist. The Bodleian Library |
Textual Production | Margaret Roberts | MR
, as the author of Mademoiselle Mori, published her last novel (though not her last book), Niccolina Niccolini. This is dated by the acquisition stamp in the Bodleian Library
copy. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Michèle Roberts | MR
published her first solo short-story volume, entitled During Mother's Absence. Dated from Bodleian Library
acquisition stamp. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Michèle Roberts | MR
published her novel In the Red Kitchen, dedicated to Jim Latter
, whom she was to marry the next year. Dated from the stamp in the Bodleian Library
copy. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Roberts, Michèle. In the Red Kitchen. Methuen. prelims |
Textual Production | Michèle Roberts | MR
published a novel entitled Impossible Saints; she has called her protagonist my version of St Teresa of Avila
. Dated from Bodleian Library
acquisition stamp. Newman, Jenny. “Michèle Roberts”. Contemporary British and Irish Fiction, edited by Sharon Monteith et al., Arnold, pp. 119-34. 122 |
Textual Production | Anne Ridler | It had been commissioned by Martin Browne
, the lessee of the Mercury Theatre, who, inspired by the success of T. S. Eliot
's Murder in the Cathedral, set out to encourage poets to... |
Reception | Anne Ridler | In 2001 she made a recording of four of her poems for The Poetry Archive to offer online. The Poetry Archive. http://www.poetryarchive.org/poetryarchive/home.do. |
Publishing | Elizabeth Richardson | The full title is A Ladies Legacie to her Daughters, In three Books, Composed of Prayers and Meditations, fitted for, severall times, and upon severall occasions, As also severall Prayers for each day in the... |
Textual Production | Mary Ann Radcliffe | She wrote the last of the letters that compose it on 22 July 1810. She incorporated the text of The Female Advocate in this volume only to substitute for other material which she could not... |
Textual Production | Barbara Pym | BP
began keeping a diary in 1931. Her papers are archived at the Bodleian Library
, Oxford University
. (BP
took her degree at St Hilda's College
.) This material includes unpublished poems, short... |
Occupation | Sally Purcell | SP
lived by an odd combination of freelance, low-paying jobs. In her editor's words, Oxford allowed her to scrape a living on its fringes, not always congenially. Jay, Peter, and Sally Purcell. “Foreword and Note on the Text”. Collected Poems, edited by Peter Jay and Peter Jay, Anvil Press Poetry, pp. 19-24. 20 |
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