Belford, Barbara. Violet. Simon and Schuster, 1990.
9
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Kathleen Raine | Besides her diaries, KR
left letters, notebooks, and other manuscripts which are now in the British Library
and other British and American collections. |
Textual Production | Margaret Hoby | She almost certainly kept it for religious reasons. The period covered is one of generally uneventful life in the country, at Hackness in North Yorkshire, with occasional visits to London. Parts of the... |
Textual Production | Mary Linskill | For Pity's Sake, which appeared posthumously, was, says Cordelia Stamp
, the last novel that ML
wrote—or rather the last she worked at, revising it from an early story. This book is not listed... |
Textual Production | Nancy Cunard | This reached print only two years before a book on the same outrageously camp figure by a younger writer, Brigid Brophy
. The British Library
keeps its copy in the category of books likely to... |
Textual Production | Elizabeth Freke | Her one-day-at-a-time structuring makes the work particularly like a diary in appearance, though its composition was retrospective. She seems to have written not for the usual religious, moralistic, or business reasons (though she offers somewhat... |
Textual Production | Isabel Pagan | A Collection of Songs and Poems on Several Occasions written by Isobel Pagan
was published at Glasgow: since she was illiterate, she had dictated the text to a friend, William Gemmell
. The British Library |
Textual Production | Violet Hunt | VH
kept diaries between 1876 and 1939. Belford, Barbara. Violet. Simon and Schuster, 1990. 9 |
Textual Production | Charlotte Brontë | CB
's stay in Brussels (as well as contributing eventually to Villette) produced a number of French exercises or devoirs, plus her subsequent letters to Constantin Heger
. Four of the letters (of which... |
Textual Production | Sarah Dixon | Elizabeth Bunce was a niece or cousin of the poet. She and her husband preserved this poem (perhaps written too late for the volume, perhaps regarded as still too private) with others in transcriptions laid... |
Textual Production | Isabella Whitney | The British Library
holds the world's only surviving copy, C. 39 b. 45; again, one cannot tell for certain whether it is a first edition or a re-issue. |
Textual Production | Constance Smedley | An appendix, Women and the State by Ethel Snowden
, was reprinted from the January number of The World's Work, giving a brief history of women in local government and public positions. Smedley, Constance, and Mrs Philip Snowden. Woman: A Few Shrieks!. Garden City Press. 121ff |
Textual Production | Sarah Green | The literary-critical preface, unusually for such a satirical work, bears her intials. Green says she has reasons for concealing her name, but will affix the REAL initials of that name to this advertisement. .... |
Textual Production | Mary Ann Kelty | This novel is rare (not listed in OCLC WorldCat) though the British Library
has two copies. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Lucas Malet | Surviving papers of LM
's are in private hands, in the British Library
, and at the Harry Ransom Humanities Research Center
at the University of Texas at Austin
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 153 |
Textual Production | Maria Callcott | This appeared as printed for the author. MC
says her frontispiece, sketched in 1834, was to be her very last attempt at holding a pencil. Callcott, Maria. A Description of the Chapel of the Annunziata dell’Arena. Printed for the author by T. Brettell, 1835. prelims |
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