Smedley, Constance, and Mrs Philip Snowden. Woman: A Few Shrieks!. Garden City Press.
121ff
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sarah Dixon | Elizabeth Bunce was a niece or cousin of the poet. She and her husband preserved this poem (perhaps written too late for the volume, perhaps regarded as still too private) with others in transcriptions laid... |
Textual Production | Isabella Whitney | The British Library
holds the world's only surviving copy, C. 39 b. 45; again, one cannot tell for certain whether it is a first edition or a re-issue. |
Textual Production | Constance Smedley | An appendix, Women and the State by Ethel Snowden
, was reprinted from the January number of The World's Work, giving a brief history of women in local government and public positions. Smedley, Constance, and Mrs Philip Snowden. Woman: A Few Shrieks!. Garden City Press. 121ff |
Textual Production | Frances Notley | FN
published Olive Varcoe, A Novel under her pseudonym Francis Derrick. The earliest edition listed in OCLC WorldCat is a Boston one of 1870 (followed by a Toronto edition in 1871). Neither the British Library |
Textual Production | Maria Callcott | This appeared as printed for the author. MC
says her frontispiece, sketched in 1834, was to be her very last attempt at holding a pencil. Callcott, Maria. A Description of the Chapel of the Annunziata dell’Arena. Printed for the author by T. Brettell, 1835. prelims |
Textual Production | Anne Hart Gilbert | In this collaborative book, John Gilbert
wrote most of the first 26 pages and AHG
the next 18 pages. The Wesleyan missionary William Box
also had a hand in the story, which was continued past... |
Textual Production | Anne Irwin | Pope's poem was two years old, but the Gentleman's Magazine had recently reprinted it. Ashley Cowper
kept a copy of AI
's riposte, attributed to her by name, in his Family Miscellany, British Library |
Textual Production | Judith Cowper Madan | JCM
's surviving writings, long preserved in family hands, are in the Hertfordshire Record Office
, the British Library
and the Bodleian
. She did not write for publication, though it seems that she was... |
Textual Production | Anna Seward | AS
published with her name, at Sheffield through the poet James Montgomery
, Blindness. A Poem, Written at the request of an artist, who lost his sight. Feminist Companion Archive. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. A manuscript note in the British Library |
Textual Production | Cicely Hamilton | The title is a complex allusion to traditional gender roles, specifically to the sex appeal of male martial prowess. John Dryden
's line None but the brave deserve the fair (itself in context a propaganda... |
Textual Production | Rudyard Kipling | All five were among the first six volumes in the India Railway Library
. Their covers bore illustrations by Kipling's father, Lockwood
. Stewart, James McGregor. Rudyard Kipling: A Bibliographical Catalogue. Editor Yeats, A. W., Dalhousie University Press and University of Toronto Press, 1959. 40-67 passim |
Textual Production | Nancy Cunard | This reached print only two years before a book on the same outrageously camp figure by a younger writer, Brigid Brophy
. The British Library
keeps its copy in the category of books likely to... |
Textual Production | Emma Robinson | ER
, as the author of Whitefriars, published Caesar Borgia
, An Historical Romance: the Bodleian
and Cambridge University Library
though not the British Library
hold copies of this edition. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Freke | Her one-day-at-a-time structuring makes the work particularly like a diary in appearance, though its composition was retrospective. She seems to have written not for the usual religious, moralistic, or business reasons (though she offers somewhat... |
Textual Production | Elizabeth Hervey | The Dublin reprint, reduced from three volumes to two, is now slightly less rare than the original, with three copies listed in the English Short Title Catalogue (including one in the British Library
) as... |
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