Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996.
381
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Hannah Brand | HB
took the female lead again in her hastily-revised tragedy Agmunda (its title changed from Huniades, the name of the male lead, to the name of the heroine), at the King's Theatre
in London. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 381 |
Performance of text | Ethel Smyth | ES
's opera The Wreckers had its first full performance in English under conductor Thomas Beecham
at His Majesty's Theatre
, London. Sadie, Julie Anne, and Rhian Samuel, editors. The New Grove Dictionary of Women Composers. Macmillan, 1994. 430, 431 Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century, 1992. 342 |
Performance of text | George Bernard Shaw | GBS
's best-known play, Pygmalion, opened at His Majesty's Theatre
, Haymarket, London, with Mrs Patrick Campbell
as Eliza Doolittle (a part written for her) to Sir Herbert Tree
's Henry Higgins. This... |
Performance of text | Susanna Centlivre | |
Performance of text | Mary Pix | |
Performance of text | Susanna Centlivre | |
Performance of text | Mary Pix | |
Performance of text | George Paston | This popular play saw two West End revivals the following year. First it had thirty-nine performances at His Majesty's Theatre
alongside Bernard Shaw
's The Admirable Bashville, and this was followed by ninety-eight performances... |
Performance of text | Clemence Dane | CD
's stage adaptation of Max Beerbohm
's The Happy Hypocrite was first performed at His Majesty's Theatre
, London. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. 10: 133 |
Performance of text | George Paston | The play was performed alongside Cicely Hamilton
's Pageant of Great Women as part of a fundraising event organised by Inez Bensusan
on behalf of the Actresses' Franchise League
and the Women Writers' Suffrage League |
Performance of text | Emmuska Baroness Orczy | Having begun with The Scarlet Pimpernel as both play and novel, EBO
wrote a number of further plays, including the eighteenth-century highwayman story Beau Brocade (produced at the Queen's Theatre
under Frank Curzon
, Orczy, Emmuska, Baroness. Links in the Chain of Life. Hutchinson, 1947. 109 |
Performance of text | Elizabeth De la Pasture | Elizabeth De la Pasture
's one-act play The Unlucky Family (based on her children's book of the same title) was first performed in a matinée at His Majesty's Theatre
, London. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 604 |
Performance of text | Mary Augusta Ward | It ran for only a little over two weeks. A second play by MAW
, Agatha, was produced at His Majesty's Theatre
around March 1905; it also failed. Sutherland, John, b. 1938. Mrs. Humphry Ward. Clarendon Press, 1990. 414-15 |
Performance of text | Catharine Trotter | CT
's final tragedy, The Revolution of Sweden (again in verse), opened at the Haymarket
, having been announced but deferred four days earlier. It ran until the 16th. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: 117 Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate, 2002. 258 |
Performance of text | Delarivier Manley | DM
's tragedy Almyna; or, The Arabian Vow was produced at the Haymarket Theatre
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 393 |
No bibliographical results available.