Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, pp. 120-42.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Elizabeth Griffith | EG
finished drafting a comedy, original not adapted, which, despite a prolonged battle with David Garrick
, never reached either stage or print. Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, pp. 120-42. 130 |
Reception | Elizabeth Griffith | This was EG
's least successful play. Both in the theatre and in print, responses sound designed to put an impudent female newcomer in her place. Bookseller Tom Davies
claimed there was a positive cabal... |
Reception | Elizabeth Griffith | Rizzo
regards this play as an attempt (not unsuccessful) to placate male critics, a trial run of the unhappy insights that EG
used in most of her later work. Rizzo, Betty. “’Depressa Resurgam’: Elizabeth Griffith’s Playwriting Career”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, pp. 120-42. 129 |
Publishing | Elizabeth Griffith | After The School for Rakes, Garrick
appeared to think he had done all for EG
that she could expect from him, and repelled a series of advances from her about a new play. By... |
Publishing | Elizabeth Griffith | EG
's painful experience with Colman ended with bad feeling on both sides. She pocketed her pride and tried again to ingratiate herself with David Garrick
, but with no success. He rejected her draft... |
Intertextuality and Influence | Elizabeth Griffith | It was published the same month by Fielding and Walker
, who were also publishers of the Westminster Magazine (to which EG
was a contributor). Pitcher, Edward W. The Literary Prose of "Westminster Magazine" (1773-1785). Edwin Mellen Press. 60 |
Dedications | Elizabeth Griffith | The Dublin edition followed two years later. She dedicated the work to David Garrick
. |
Textual Production | Elizabeth Griffith | Many of EG
's letters to Garrick
survive on film among Papers of David Garrick at the Victoria and Albert Museum
. A few of her holograph letters to other people are at Harvard
. |
Publishing | Elizabeth Sarah Gooch | Gooch must have spent heavily on advertising. From 5 April until 5 May front-page advertisements for her book appeared in the London Star and other papers. They took up an unusual number of column-inches, since... |
Friends, Associates | Georgiana Cavendish, Duchess of Devonshire | The Duchess of Devonshire knew virtually everyone in London society. Set apart was the Devonshire House Circle: a clique of wealthy and fashionable Whigs with rakish or bohemian leanings, who even spoke in their... |
Friends, Associates | Ann Fisher | As an eighteenth-century publisher AF
was in a small way one of the new breed of literary patrons. She and her husband helped the minor pastoral poet John Cunningham
(17291773) by publishing him both in... |
Textual Production | Sarah Fielding | SF
sent David Garrick
the draft of an unfinished play; it remains unpublished, unperformed, and lost. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xxxix-xl |
Publishing | Sarah Fielding | This play had been written at least three years earlier by Dr Humphrey Bartholomew
, and given by him to SF
, apparently to revise. Soon after she submitted it, Garrick
expressed the opinion that... |
Publishing | Sarah Fielding | The work was dedicated to Lady Pomfret
. Its 440 subscribers included many prominent people, reflecting the bluestockings' range of influence as well as SF
's local and family connections: Ralph Allen
, Lord Chesterfield |
Textual Production | Carol Ann Duffy | They accompanied in performance all that remains of David Garrick
's ode written for his Shakespeare Jubilee of September 1769. After the Stratford performance the masque went on tour. Clements, Andrew. “Carol Ann Duffy’s life of Shakespeare tops a wigs’ n ’breeches blast from the past”. The Guardian, p. Review 29. |
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