George Eliot
-
Standard Name: Eliot, George
Birth Name: Mary Anne Evans
Nickname: Polly
Nickname: Pollian
Self-constructed Name: Mary Ann Evans
Self-constructed Name: Marian Evans
Self-constructed Name: Marian Evans Lewes
Pseudonym: George Eliot
Pseudonym: Felix Holt
Married Name: Mary Anne Cross
GE
, one of the major novelists of the nineteenth century and a leading practitioner of fictional realism, was a professional woman of letters who also worked as an editor and journalist, and left a substantial body of essays, reviews, translations on controversial topics, and poetry.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Louisa Baldwin | She became interested in Eliot
's work after her sister Georgiana
introduced them. Taylor, Ina. Victorian Sisters. Adler and Adler, 1987. 127 |
Friends, Associates | Frances Power Cobbe | FPC
was a friend of Emily Faithfull
, Geraldine Jewsbury
, and Rosa Bonheur
, and she knew Josephine Butler
, Augusta Webster
, Lady Battersea
, Emily Pfeiffer
, Anne Thackeray Ritchie
, Helen Taylor |
Friends, Associates | Mary Augusta Ward | Mary Augusta Arnold (later MAW
) met George Eliot
at a Sunday supper given by Mark
and Emily Francis Pattison
. Ward, Mary Augusta. A Writer’s Recollections. Harper and Brothers, 1918. 107 |
Friends, Associates | Herbert Spencer | He counted Thomas Carlyle
and John Stuart Mill
among his friends. George Eliot
would have liked to make their intellectual friendship an intimate one, but he broke it off. Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press, 1988. |
Health | Adrienne Rich | After her third delivery she decided to be sterilised, though she met with social disapproval even from nurses caring for her in hospital: Had yourself spayed, did you? qtd. in O’Mahoney, John. “Poet and Pioneer: Adrienne Rich”. The Guardian, 15 June 2002, pp. Review 20 - 3. 22 |
Intertextuality and Influence | Hélène Barcynska | Vista Stuart as first met is no dancer, but a rich little upper-middle-class girl tearing up the Great North Road in a sports car given her by her father, who feels instant, mutual attraction for... |
Intertextuality and Influence | E. A. Dillwyn | EAD
kept a diary from her teens, but it was not until the 1870s that her feelings of uselessness made her resolve, in the absence of anything more constructive to do, to try and write... |
Intertextuality and Influence | Elinor Glyn | The mysterious Lady is in fact queen in her own right of a Slavic country, and tied to a destructive marriage. Her neglectful, abusive, alcoholic, and profligate husband is king only through his marriage to... |
Intertextuality and Influence | Mary Augusta Ward | The contemporary story features a self-educated working-class intellectual and freethinker whose characterisation draws on many strands of thought of the day. Drawn after the model of self-made men such as Daniel Macmillan
, William Lovett |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Harriet Martineau | The novel prompted a complimentary letter on 7 November 1849 from Currer Bell (Charlotte Brontë
) saying that in it he tasted a new and keen pleasure, and experienced a genuine benefit. In his... |
Intertextuality and Influence | Ali Smith | Smith began working on There But For The following her father's death in 2010, in a crazy time of mourning, where nothing held still and everything changed. It was written, she says, in a kind... |
Intertextuality and Influence | Amy Levy | This novel too has a third-person narrator, but makes more extensive use of free indirect discourse. Its young Jewish protagonist, a lawyer who is already finding his ambitious plans for his career are a strain... |
Intertextuality and Influence | Simone de Beauvoir | SB
began writing as a child, under the influence of the highly conventional children's books she read. She says she had no idea of writing what she knew, but her first story (The Misfortunes... |
Intertextuality and Influence | Charlotte O'Conor Eccles | COCE
headed her book with two lines from Thomas Campion
: Alas, poor book . . . go spread thy papery wings. / Thy lightness cannot help or hurt my fame. qtd. in O’Conor Eccles, Charlotte. Modern Men. Leadenhall Press, 1887. prelims |
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Texts
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