William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Phebe Gibbes
In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with...
Intertextuality and Influence Ann Hatton
Here AH opens by quoting Shakespeare , and applies her usual vivacious style and sense of immediacy to the story of a man who is wrongfully imprisoned, and eventually released only to find his wife...
Intertextuality and Influence Hannah More
The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote.
Feminist Companion Archive.
According to critic...
Intertextuality and Influence Susan Ferrier
The Inheritance opens with what sounds like an allusion to Jane Austen : It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride.
qtd. in
Cullinan, Mary. Susan Ferrier. Twayne, 1984.
75
Intertextuality and Influence Rose Tremain
Most of the stories concern love, and some make creative use of the lives or works of other authors, like Tolstoy and Daphne Du Maurier . In The Closing DoorRT created a character who...
Intertextuality and Influence Ali Smith
This novel is set in Cornwall, as well as in a contemporary landscape of violent exclusion, lies, suffering.
Harris, Alexandra. “Book of the day. Winter by Ali Smith review—wise, generous and a thing of grace”. theguardian.com, 27 Oct. 2017.
Its protagonist, Sophia, dwells on these things in her mind, while her activist sister, Iris, has...
Intertextuality and Influence Elizabeth Jolley
The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and...
Intertextuality and Influence Josephine Tey
Although Shakespeare 's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier
Intertextuality and Influence Ngaio Marsh
The theatre where the action unfolds is the Dolphin, from Marsh's novel of 1966. The personages include a range of life-larger actors including a mysterious young New Zealander of Maori blood and the looming, awful...
Intertextuality and Influence Mary Webb
As a child Mary Meredith (later MW ) wrote stories for her younger brothers and sisters. She first had her writing published after the family moved to Stanton-on-Hine Heath, in the parish magazine.
Davies, Linda. Mary Webb Country. Palmers Press, 1990.
4
Intertextuality and Influence Mrs Ross
The title-page quotes Shakespeare . The story has no chapter divisions, though it is often broken by flashback or by letters. While melodramatic, it is unconventional in its avoidance of the standard courtship plot, happy...
Intertextuality and Influence Julia Pardoe
JP divides the experiences of life into three stages: anticipation—reality—and reminiscence; and it is more difficult than it at first appears to be, to decide on the comparative extent and value of each. Hope is...
Intertextuality and Influence Elizabeth Hamilton
EH seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace , Shakespeare , and Milton to...
Intertextuality and Influence Rhoda Broughton
Critics have pointed to a range of influences and allusions in this novel. Kate Flint has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde , who...
Intertextuality and Influence Elizabeth Meeke
Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house...

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