Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co.
prelims
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
Intertextuality and Influence | Emma Robinson | ER
claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she... |
Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
Intertextuality and Influence | Mary Webb | As a child Mary Meredith (later MW
) wrote stories for her younger brothers and sisters. She first had her writing published after the family moved to Stanton-on-Hine Heath, in the parish magazine. Davies, Linda. Mary Webb Country. Palmers Press. 4 |
Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Shakespeare
. Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of... |
Intertextuality and Influence | Grace Aguilar | GA
defends her central subject (which eclipses the requisite romances in the plot) in these terms: if Shakspeare
scorned not to picture the sweet influence of female friendship shall women pass it by as a... |
Intertextuality and Influence | Dorothy L. Sayers | The academic background gives DLS
an excuse for lavish literary quotation: from Greek, from Shakespeare
and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe
. Her Oxford
is the preserve... |
Intertextuality and Influence | Janet Schaw | Her editors call her a forerunner of Frances Trollope
in her American critique, though her attitudes are shaped by reactionary political views in a way that Trollope's are not. Schaw, Janet. Journal of a Lady of Quality. Editors Andrews, Evangeline Walker and Charles McLean Andrews, Yale University Press. 160 note |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Josephine Tey | Although Shakespeare
's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier |
Intertextuality and Influence | Ethel Wilson | The title embraces controversy and makes something witty of her habitual modesty. In her extended argument against the value of creative writing classes, EW
maintains that good writers must be self-taught and that the conditions... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Ali Smith | This novel is set in Cornwall, as well as in a contemporary landscape of violent exclusion, lies, suffering. Harris, Alexandra. “Book of the day. Winter by Ali Smith review—wise, generous and a thing of grace”. theguardian.com. |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | Susanna Haswell Rowson | This novel covers a historical span from Christopher Columbus
through scenes in New Hampshire in 1645 to the lives of the twin heroine and hero, descendants of Columbus, ten generations after him in Philadelphia in... |
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