Shaw, Marion. The Clear Stream: A Life of Winifred Holtby. Virago.
79-81
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Winifred Holtby | WH
met Jean McWilliam
at the WAAC unit at Huchenneville. They corresponded throughout Holtby's life, writing to one another as Rosalind and Celia from Shakespeare
's mutually devoted heroines in As You Like It. Shaw, Marion. The Clear Stream: A Life of Winifred Holtby. Virago. 79-81 |
Friends, Associates | Clemence Dane | Toasts were proposed by suffragist Philippa Strachey
and by Ethel Watts
(chair of the Junior Council of the London and National Society for Women's Service
), the latter of whom hoped that in the future... |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Mrs Ross | Many chapters are headed with quotations from Shakespeare
or Cowper
. This novel pits domestic (upper-class) ties against destructive passions, the latter aroused by the fascinating Marchioness of Laisville (whose vices do not ruin her... |
Intertextuality and Influence | Roma White | In fact the book deals with gardening in town as well as in the suburbs. The cloth cover is attractively designed with a vignette of London above the title and a country scene below. The... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Jane Harvey | The title-page quotes Shakespeare
. This novel follows, with serious concern as well as satirical humour, the career choices made by the sons of the Cleavland family. Their father favours science and agriculture, which he... |
Intertextuality and Influence | Henrietta Camilla Jenkin | The subtitle of this novel (which in earlier centuries had been the title of a bawdy song) here alludes to a proverb about the impossible perfections of maids' husbands and bachelors' children. This first novel... |
Intertextuality and Influence | George Bernard Shaw | Shakes
Versus Shav, a puppet play by GBS
dramatizing a confrontation between the two playwrights, was first produced at Malvern by the Waldo Lanchester Marionette Theatre
. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press. xxx Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 28 |
Intertextuality and Influence | Pamela Hansford Johnson | This is a satirical novel set on a US campus—though not, PHJ
insists, embodying any identifiable place or people. The title, from Shakespeare
's Midsummer Night's Dream, suggests that the campus of the story... |
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