English Short Title Catalogue. http://estc.bl.uk/.
Virgil
Standard Name: Virgil
Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Margaret Drabble | The protagonist of The Seven Sisters, published in 2002, is a woman in her fifties whose husband and grown children have all abandoned her. Her own somewhat grumpy impressions of her newly single life... |
Textual Features | Elaine Feinstein | The poet-narrator revisits the Russia of the 1930s and meets the great writers who rule her imagination, under the guidance of Marina Tsvetayeva or Tsvetaeva
, as |
Textual Production | Ann Fisher | No copy of the first edition is known to be extant. The extremely long title continues An Accurate New Spelling Dictionary and Complete English Expositor: containing a much larger collection of words than any book... |
Textual Production | Anne Francis | This time her title-page quotation comes from Virgil
. |
Intertextuality and Influence | Anne Francis | |
Literary responses | Anne Francis | Critic Jacqueline M. Labbe
has discussed the first poem in this volume, Saham Gardens (at Saham Toney in Norfolk). She approved AF
's claiming the garden for specifically female power and delighting in her... |
Textual Production | Elizabeth Gilding | Her title-page quotes Thomson
on the young mind fed by the light of truth, and Virgil
on being made a poet. The book cost half a crown and was sold by the author herself at... |
Intertextuality and Influence | Anne Grant | |
Textual Production | Constantia Grierson | Constantia Crawley (later CG
) published the first of her small, Elsevir-format editions of classical authors (written in Latin throughout): the works of Virgil
, as P. Virgilii Maronis opera. Nunc emendatiora. Elias, A. C. “A Manuscript of Constantia Grierson’s”. Swift Studies, Vol. 2 , pp. 33-56. 42n20 |
Education | Charlotte Guest | Lady Charlotte received a standard home education. She soon found that she loved serious learning and set out to pursue it. Studying on her own, she discovered and devoured Chaucer
(from whom as an old... |
Textual Production | Seamus Heaney | The poems in SH
's collection Seeing Things resound with echoes of Virgil
. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4601 (7 June 1991): 28 “Seamus Heaney — Biographical”. Nobelprize.org. |
Intertextuality and Influence | Seamus Heaney | The title refers to, and applies to poems about, family relationships (often those spanning generations), literary relatedness over still larger spans of time, and links between the human and other parts of the creation. In... |
Intertextuality and Influence | Mary Herberts | Further disconnected tales accumulate, one contrasting two priests, Father Coeurdroit (or Goodheart), who serves the poor rather than the Church, and Father Predatore, whose name is self-explanatory. The flow is finally interrupted by Proteus placing... |
Textual Features | Lucy Hutchinson | In the later cantos the biblical narrative is handled less didactically, more dramatically and psychologically. Some of the digressions, personifications, and descriptions suggest Virgil
ian epic. Greer, Germaine. “Horror like Thunder”. London Review of Books, pp. 22-4. 24 |
Intertextuality and Influence | Anne Irwin | AI
praises both her father
and his estate, the baroque mansion and landscaped grounds recently completed to the designs of Sir John Vanbrugh
. Carlisle appears as a practitioner of ideal gentlemanly retirement: having... |
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