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Maria Edgeworth
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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME
wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Martin Ross | The stories are set in imaginary locations in the west of Ireland. Most revolve around fox-hunting, or else other country pursuits like horse-racing and horse-dealing. Behind these activities lies the familiar story (familiar for... |
| Intertextuality and Influence | Margery Lawrence | She took this title from a remark by Maria Edgeworth
: Today is the Tomorrow of Yesterday. Lawrence, Margery. The Tomorrow of Yesterday. Robert Hale. prelims |
| Intertextuality and Influence | Jane Austen | JA
's biographer Claire Tomalin
lists those women writers who were most important to her, for learning rather than for mockery, as Charlotte Lennox
, Frances Burney
, Charlotte Smith
, Maria Edgeworth
, and... |
| Intertextuality and Influence | Stéphanie-Félicité de Genlis | Mary Wollstonecraft
, though she saw many virtues in this book, was not happy that Adelaide was educated to be obedient, not independent-minded: that with all her accomplishments she was ready to marry any body... |
| Intertextuality and Influence | Mary Sewell | MS
used this book in the religious training of her children. It was written entirely in one-syllable words. She hoped writing the book would enable her to purchase Practical Education by Maria Edgeworth
(and her... |
| Intertextuality and Influence | Katharine Tynan | The gruesome elements of the novel reach a peak when the protagonist believes a cancer has formed on her breast (a motif which KT
may have taken from her early favourite Maria Edgeworth
) as... |
| Intertextuality and Influence | Barbara Hofland | This novel handles remarkably the stock motif of the foundling, and the more unusual theme of an abusive marriage. (In a note at the end, BH
says that each of these is based on a... |
| Literary responses | Barbara Hofland | In the early 1820s BH
seems to have been at the apex of her career. She was appreciated not only by her friend Mary Russell Mitford
(who believed that nobody else could combine so much... |
| Literary responses | Fanny Holcroft | The Critical gave this novel a detailed notice starting from the proposition that FH
had not had critical justice because of unfair comparisons with her eminent father. It praised the contrast in personality between the... |
| Literary responses | Mary Somerville | The text was praised by Maria Edgeworth
for hav[ing] enlarged my conception of the sublimity of the universe, beyond any ideas I had ever before been enable to form. Somerville, Mary. Personal Recollections, from Early Life to Old Age, of Mary Somerville. Editor Somerville, Martha, Roberts Brothers. 204 |
| Literary responses | Amelia B. Edwards | Henry Fothergill Chorley
in the Athenæum faulted the book as being something close to a textbook under the guise of entertainment. Young people, he argued, resent such books as engines of oppression. Athenæum. J. Lection. 1788 (1862): 151 |
| Literary responses | Ann Taylor Gilbert | Those who left a record of their enthusiasm for these little books included Robert Southey
, Dr Thomas Arnold
of Rugby School, and Archbishop Whately
. James Montgomery
and Maria Edgeworth
were particularly appreciative of Ann. Armitage, Doris Mary. The Taylors of Ongar. W. Heffer and Sons. 172 |
| Literary responses | Elizabeth Hamilton | This was the most popular of EH
's novels during her lifetime and long afterwards. Maria Edgeworth
said its humour made it loved in Ireland. Francis Jeffrey
reviewed it enthusiastically. Perkins, Pamela. Women Writers and the Edinburgh Enlightenment. Rodopi. 99 |
| Literary responses | Elizabeth Hamilton | The Critical Review took occasion from this work to link EH
with Hannah More
and Maria Edgeworth
as three distinguished female writers who do honour to the countries of England, Ireland, and Scotland; but its... |
| Literary responses | Mary Russell Mitford | MRM
's plays were admired by Maria Edgeworth
, Joanna Baillie
, and Felicia Hemans
, though John Genest
(in Some Account of the English Stage, from the Restoration in 1660 to 1830, 1832), judged them dull. |
Timeline
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Texts
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