Anderson, Sam. “The Inscrutable Brilliance of Anne Carson”. New York Times Magazine, p. 20.
Sophocles
Standard Name: Sophocles
Connections
Connections Sort ascending | Author name | Excerpt |
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Textual Features | Anne Carson | The designer was Carson's husband, Robert Currie
(who also designed her next publication, Antigonick, an unorthodox version of Sophocles
' Antigone). |
Textual Features | Eliza Lynn Linton | As before, Eliza Lynn
had done plenty of research for this novel, and she passes it on, in lengthy descriptions of the places, costume, and ceremonies of ancient Athens. She employs specialised diction (... |
Textual Features | Ruth Fainlight | She includes here Jocasta's Death from her ongoing Sophocles
translation: a passage which she says is very accurate in its rendering of the original. Evans-Bush, Katy. “The Poet Realized. An Interview with Ruth Fainlight”. Contemporary Poetry Review. |
Publishing | Charlotte Lennox | CL
published, with her name, The Greek Theatre of Father Brumoy, an edition of twenty-five translated plays by Euripides
and Sophocles
(which had appeared in French in 1759). Isles, Duncan. “The Lennox Collection”. Harvard Library Bulletin, Vol. 18 , No. 4, pp. 317-44. 327 Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press. 2: 1006 |
Performance of text | Seamus Heaney | SH
's version of the Antigone of Sophocles
opened at the Abbey Theatre
in Dublin. Its title, The Burial at Thebes, echoes in structure his earlier translation The Cure at Troy. Billington, Michael. “The Burial at Thebes”. Guardian Online. |
Performance of text | Timberlake Wertenbaker | TW
's Our Ajax, a play about modern warfare freely adapted from Sophocles
' Ajax, opened at Southwark Playhouse
. It was published the same month. Billington, Michael. “Our Ajax — review”. theguardian.com. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Performance of text | Liz Lochhead | Following LL
's Medea, her Thebans (adapted from Sophocles
and Euripides
and to a lesser extent from Æschylus
) opened at the Assembly Rooms in Edinburgh as part of the Fringe Festival
. Lochhead, Liz et al. Thebans. Nick Hern. title-page, prelims |
Occupation | Anne Carson | In 2012 AC
took the chorus part in a staged reading of her own Antigonick (adapted from Sophocles
), 2012. A few years later she took the title role with great fierceness in |
Literary responses | Caroline Clive | Despite the universal opinion that the sequel was decidedly weaker than the original, it nevertheless did well enough to go into several editions. The Saturday Review noted that it was a book which, even if... |
Intertextuality and Influence | Isabella Neil Harwood | |
Intertextuality and Influence | Ali Smith | Like most of AS
's work, this novel is playfully self-reflexive in its adherence to typical story structure. In a formulaic breakdown of essential narrative parts, The Accidental has a prescribed Beginning, Middle... |
Intertextuality and Influence | Ali Smith | In an compelling refusal to expurgate the Antigone story for young readers, Smith fully embraces its motifs of death and decay through the voice of the onlooking crow, whose hunger for the remnants of the... |
Intertextuality and Influence | Sarah Kane | The language, entirely spare and unadorned, links the play on the one hand to contemporary television reports and on the other to the ancient mode of tragedy. Ian with his eyes put out unaffectedly recalls... |
Intertextuality and Influence | Philip Larkin | Phippy, the skinny, inadequate, lower-class Hugh Minden Philipson, makes a progress from school . . . . . . to school Larkin, Philip, and Rodney Fitzgerald. Incidents from Phippy’s Schooldays. Editors Allen, Brenda and James Acheson, Juvenilia Press. 37 |
Intertextuality and Influence | Angela Carter | According to Linden Peach
, intertextuality is a prominent feature of this novel, which is a rewriting of the Oedipus story most famously handled by Sophocles
. Like Oedipus, Desiderio is instructed by his father... |
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