Murray, Isobel, editor. “Ali Smith”. Scottish Writers Talking 3, John Donald, 2006, pp. 186-29.
196
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Ali Smith | AS
met her longtime partner Sarah Wood
at Cambridge University in the 1980s Murray, Isobel, editor. “Ali Smith”. Scottish Writers Talking 3, John Donald, 2006, pp. 186-29. 196 |
Performance of text | Ali Smith | Early among these works by Smith was Stalemate (1986), her first Fringe
feature, a take off of Thatcherism performed by a company of undergraduate women called qtd. in Murray, Isobel, editor. “Ali Smith”. Scottish Writers Talking 3, John Donald, 2006, pp. 186-29. 197 Trouble and strife traditionally... |
Performance of text | Ali Smith | In 2016 Just was revived by |
Performance of text | Deborah Levy | DL
's play Pax was performed by the Women's Theatre Group
at the Edinburgh Fringe Festival
. “Deborah Levy”. doollee.com The Playwrights Database, 2003. |
Performance of text | Deborah Levy | |
Performance of text | Liz Lochhead | LL
's play Mary Queen of Scots
Got Her Head Chopped Off premiered at Edinburgh's Lyceum Studio
during the Fringe Festival
, to critical acclaim. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 239 |
Performance of text | Liz Lochhead | Following LL
's Medea, her Thebans (adapted from Sophocles
and Euripides
and to a lesser extent from Æschylus
) opened at the Assembly Rooms in Edinburgh as part of the Fringe Festival
. Lochhead, Liz et al. Thebans. Nick Hern, 2003. title-page, prelims |
Performance of text | Liz Lochhead | Latin for a Darkroom, a short film scripted by LL
, was first shown at the Edinburgh Festival
. Varty, Anne. “The Mirror and the Vamp: Liz Lochhead”. A History of Scottish Women’s Writing, edited by Douglas Gifford and Dorothy McMillan, Edinburgh University Press, 1997, pp. 641-58. 654 |
Performance of text | Liz Lochhead | Lochhead has reworked this play (about Mary Shelley
's creation of Frankenstein) several times. A revised version was performed at the EdinburghFringe Festival
by the Traverse Theatre Club
under the new title Blood... |
Performance of text | Liz Lochhead | When this play was commissioned by Graham McLaren
of Theatre Babel as part of a larger Greeks project, LL
felt a frisson of slightly perverse attraction Lochhead, Liz, and Euripides. Medea. Nick Hern, 2000. foreword |
Reception | Liz Lochhead | Mary Queen of Scots was a great hit with critics. In the Times, Irving Wardle
compared the play favourably with Schiller
's Mary Stuart (also playing at the Fringe that year), and the Financial... |
Reception | Liz Lochhead | The revue was a great success with audiences. The 65-seat bar in which it was staged was always full, and it was revived at the EdinburghFringe
the following year. Lochhead remarked that she found... |
Textual Production | Sarah Kane | Kane used this pseudonym to conceal her identity, first at a lunchtime reading and then at the Traverse Theatre, in an attempt to cast off her reputation for obscenity and violence. The programme included a... |
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