Evans-Bush, Katy. “The Poet Realized. An Interview with Ruth Fainlight”. Contemporary Poetry Review.
Sophocles
Standard Name: Sophocles
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Ruth Fainlight | She includes here Jocasta's Death from her ongoing Sophocles
translation: a passage which she says is very accurate in its rendering of the original. |
Textual Features | Thomas Hardy | The story borrows from that of Sophocles
' Oedipus Rex. Its full title, The Mayor of Casterbridge, The Life and Death of a Man of Character, highlights the way that this novel focuses... |
Textual Features | Anne Carson | The designer was Carson's husband, Robert Currie
(who also designed her next publication, Antigonick, an unorthodox version of Sophocles
' Antigone). Anderson, Sam. “The Inscrutable Brilliance of Anne Carson”. New York Times Magazine, p. 20. |
Publishing | Charlotte Lennox | CL
published, with her name, The Greek Theatre of Father Brumoy, an edition of twenty-five translated plays by Euripides
and Sophocles
(which had appeared in French in 1759). Isles, Duncan. “The Lennox Collection”. Harvard Library Bulletin, Vol. 18 , No. 4, pp. 317-44. 327 Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press. 2: 1006 |
Performance of text | Liz Lochhead | Following LL
's Medea, her Thebans (adapted from Sophocles
and Euripides
and to a lesser extent from Æschylus
) opened at the Assembly Rooms in Edinburgh as part of the Fringe Festival
. Lochhead, Liz et al. Thebans. Nick Hern. title-page, prelims |
Performance of text | Seamus Heaney | SH
's version of the Antigone of Sophocles
opened at the Abbey Theatre
in Dublin. Its title, The Burial at Thebes, echoes in structure his earlier translation The Cure at Troy. Billington, Michael. “The Burial at Thebes”. Guardian Online. |
Performance of text | Timberlake Wertenbaker | TW
's Our Ajax, a play about modern warfare freely adapted from Sophocles
' Ajax, opened at Southwark Playhouse
. It was published the same month. Billington, Michael. “Our Ajax — review”. theguardian.com. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Occupation | Anne Carson | In 2012 AC
took the chorus part in a staged reading of her own Antigonick (adapted from Sophocles
), 2012. A few years later she took the title role with great fierceness in |
Literary responses | Caroline Clive | Despite the universal opinion that the sequel was decidedly weaker than the original, it nevertheless did well enough to go into several editions. The Saturday Review noted that it was a book which, even if... |
Intertextuality and Influence | Angela Carter | According to Linden Peach
, intertextuality is a prominent feature of this novel, which is a rewriting of the Oedipus story most famously handled by Sophocles
. Like Oedipus, Desiderio is instructed by his father... |
Intertextuality and Influence | Ivy Compton-Burnett | In the opening scene of Darkness and Day, two old friends discuss the approaching death of one of them. The plot is a version of the Oedipus story: Bridget Lovat kills her mother and... |
Intertextuality and Influence | Ruth Padel | Padel's essay centres on Steiner's The Death of Tragedy and his monograph on the Antigone of Sophocles
, but it ranges widely. She seeks to grasp here Steiner's opinions and the way they changed over... |
Intertextuality and Influence | Germaine Greer | The chapters are headed with quotations ranging eclectically through the international canon and counter-canon from Sophocles
and The Ramayana of Valmiki (an ancient Indian epic) to Spike Milligan
, via Charles Baudelaire
, T. S. Eliot |
Intertextuality and Influence | Isabella Neil Harwood | |
Intertextuality and Influence | Ali Smith | Like most of AS
's work, this novel is playfully self-reflexive in its adherence to typical story structure. In a formulaic breakdown of essential narrative parts, The Accidental has a prescribed Beginning, Middle... |
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