Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp.
270
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Occupation | Emilie Barrington | EB
, who was artistically gifted, entered work for the Royal Academy
Exhibition in 1871, while pregnant with her second child, but was not accepted. She claimed to have taken art lessons from Ruskin
... |
Occupation | Dante Gabriel Rossetti | Involved—with his brother
, William Holman Hunt
, John Everett Millais
, and others—in the Pre-Raphaelite Brotherhood
's critique of the reigning artistic principles and values, DGR
has subsequently become one of the most renowned... |
Occupation | Barbara Leigh Smith Bodichon | Matilda Betham-Edwards
later wrote that her brilliant sketches were admired by Ruskin
, Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp. 270 Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp. 269 |
Occupation | Jean Ingelow | She always concerned herself with the plight of the poor and she frequently paid for and served what she called copyright dinners for elderly paupers in Holland Street, Kensington. (She paid for them out... |
Occupation | Elizabeth Siddal | Art critic and patron John Ruskin
bought for £30 all of artist ES
's available work, and put her on a quarterly allowance of £150 per year. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago. 69-70 Marsh, Jan. Elizabeth Siddal, 1829-1862: Pre-Raphaelite Artist. The Ruskin Gallery. 22 |
Occupation | John Oliver Hobbes | She was president of the RuskinSociety
between 1903 and 1904. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Occupation | Lewis Carroll | He was also an early photographer of some note, who took portraits of John Ruskin
, Dante Gabriel Rossetti
, and Alfred Lord Tennyson
. Corey, Melinda, and George Ochoa, editors. The Encyclopedia of the Victorian World. Henry Holt and Company. |
Occupation | Anna Mary Howitt | AMH
was already writing and drawing as a professional when Henry Chorley
, editor of the Ladies' Companion, commissioned her to go to Oberammergau and report on the passion play. On her return to... |
Literary responses | Christina Rossetti | Arthur Munby
read with strong admiration & pleasure Hudson, Derek, and Arthur Joseph Munby. Munby, Man of Two Worlds. J. Murray. 119 |
Literary responses | Elizabeth Gaskell | Reviews of Cranford were positive, focusing on its charm and apparent simplicity. In the Athenæum, Henry Fothergill Chorley
commended its touches of love and kindness, of simple self-sacrifice and of true womanly tenderness. Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge. 194 |
Literary responses | George Eliot | Ruskin
in 1881 wrote scornfully of an the English Cockney school, which consummates itself in George Eliot, Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble. 167 |
Literary responses | Juliana Horatia Ewing | Our Field in this volume (first published in Aunt Judy's Magazine in September 1876) was said to have been Ruskin
's favourite among JHE
's stories (though not, Mary Lascelles
thinks, a favourite with children). Lascelles, Mary Madge. Juliana Horatia Ewing, 1841-1885: An Appreciation. Privately printed. 4 |
Literary responses | Alice Meynell | AM
later condemned her early preludes, but the book received praise from Tennyson
, Aubrey Thomas de Vere
, and Ruskin
, who thought A Letter from a Girl to her own Old Age,... |
Literary responses | Juliana Horatia Ewing | She was reciprocally admired by Ruskin
in the nineteenth century, and admired also by Kipling
in the twentieth. Critic Mary Lascelles
lamented at the centenary of JHE
's death that her books had been allowed... |
Literary responses | Flora Shaw | The Supplement to Allibone cites John Ruskin
's opinion of Castle Blair: The book is good, and lovely, and true, having the best description of a noble child (Winnie) that I ever read, and... |
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