Handley, Graham. “George Eliot and <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>A Lost Love</span>”;. The George Eliot Fellowship Review, Vol.
14
, pp. 32-7. 33
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Boyle | Sometime after 1864 MB
worked together with Tennyson
, Landor
, and Wordsworth
in a miscellany encouraged by Lord Northampton
(brother of her friend Lady Marian Alford, and son of the remarkable poet Margaret, Lady Northampton |
Textual Production | L. T. Meade | LTM
published A Sweet Girl-Graduate, whose title (originally from Tennyson
's The Princess) has been much used by other writers). The words of the title have featured in a sentimental poem by Helen Steiner Rice |
Textual Production | Anne Ogle | In the new foreword, Ogle explains that she wrote the book in the despair of youth. Handley, Graham. “George Eliot and <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>A Lost Love</span>”;. The George Eliot Fellowship Review, Vol. 14 , pp. 32-7. 33 |
Textual Production | Julia Stretton | In a one-volume anonymous Hurst and Blackett
reprint of 1860 the title-page quotes Tennyson
on the rosebud garden of girls. The book is dedicated to Margaret, my sister, feeling sure, that the seven other sisters... |
Textual Production | Ruth Padel | RP
joined with five other poets in Machinery of Grace. A Tribute to Michael Donaghy
(1954-2004), published by the Poetry Society
in 2005. That same year she read some of her poems for the... |
Textual Production | Agatha Christie | AC
borrowed a title from Tennyson
for The Mirror Crack'd from Side to Side (in which a film is being shot at St Mary Mead, where Miss Marple lives), the first of her three Marple... |
Textual Production | Patricia Highsmith | PH
said her first push in the direction of writing came when I was nine years old. My English teacher gave a typically painful assignment, a composition on the subject of How I Spent My... |
Textual Production | Charlotte Barnard | These two songs are the only works by CB
published under her real name: some time after this, she adopted the pseudonym Claribel. She may have taken this pseudonym from Alfred Tennyson
's poem... |
Textual Production | Monica Dickens | This was ironical, since her aim had been to produce something new and different. Dickens, Monica. An Open Book. Heinemann. 67 |
Textual Production | Samuel Beckett | SB
's first-drafted novel, Dream of Fair to Middling Women, remained unpublished until after his death. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Elizabeth Barrett Browning | There followed, also in the Athenæum, a review of Wordsworth
's poems in August 1842. As well as these, EBB
provided both critical contributions on Carlyle
and Tennyson
, and material gleaned from her... |
Textual Production | Anna Swanwick | She dedicated it to James Martineau
in honour of their friendship of sixty years. Swanwick, Anna. Poets the Interpreters of their Age. George Bell. prelims |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Adelaide Procter | Here AP
's wide literary connections paid off handsomely. Contributors to The Victoria Regia included some of the most prominent names in literature of the day, mingled with less prominent writers who were also feminists:... |
Textual Production | Mary Linskill | She took her title from a line in Tennyson
's Break, break, break, a poem which powerfully conveys a sense of desolation and despair. She dedicated her novel to Mrs Lupton
, her former... |
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