OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Sophie Veitch | With Duncan Moray, Farmer (a three-volume novel published both at London and at Paisley in Scotland in early 1890), British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The early date comes from the Bodleian Library
acquisition stamp. |
Textual Production | Joanna Baillie | She thus made part of the Scottish ballad revival forwarded by individuals of several generations including Allan Ramsay
, Elizabeth, Lady Wardlaw
, Jean Elliott
, Alison Cockburn
, her aunt Anne Hunter
, Burns |
Textual Production | Helen Craik | HC
, in her late thirties, penned her first work which is known to survive: a poem written in Robert Burns
's copy of his Poems published at Edinburgh. Craciun, Adriana, and Kari E. Lokke, editors. “The New Cordays: Helen Craik and British Representations of Charlotte Corday, 1793-1800”. Rebellious Hearts: British Women Writers and the French Revolution, State University of New York Press, pp. 193-32. 229n56 |
Textual Production | Janet Hamilton | Although he comments on the defects caused by a lack of classical education, and seems to rate her moral character more highly than her literary ability, Gilfillan
pronounces Hamilton's work to be of uncommon excellence... |
Textual Production | Helen Craik | HC
wrote a ten-line poem in praise of Burns
, which is copied at the head of his Glenriddell Manuscript (below the title, before his dated preface). Burns, Robert. The Glenriddell Manuscripts of Robert Burns. Editor Donaldson, Desmond, E. P. Publishing. prelims |
Textual Production | Carolina Oliphant, Lady Nairne | It was very generally ascribed to Burns
; Carolina Nairne heard this ascription made in her presence, but she said she never answered. McGuirk, Carol. “Jacobite History to National Song: Robert Burns and Carolina Oliphant (Baroness Nairne)”. The Eighteenth Century: Theory and Interpretation, Vol. 47 , No. 2/3, pp. 253-87. 263 |
Textual Production | Eleanor Farjeon | |
Textual Production | Mary Hays | The publisher was Knott
. The title-page quotes Socrates
and Burns
. The work is dedicated to the Rev. John Disney
. MH
's sister, Eliza or Elizabeth, contributed two Moral Essays. Hays, Mary. Letters and Essays, Moral and Miscellaneous. T. Knott. prelims Feminist Companion Archive. |
Textual Production | Ethel Lilian Voynich | These poems, wrote Voynich, were immortal lyrics hidden away from Western Europe in a minor Slavonic idiom between Russian, Servian, and Polish. She called Shevenko the Robert Burns
of his own region, TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 517 (7 December 1911): 509 |
Textual Production | Joanna Baillie | She agreed to do this without payment, though Thomson gave her an Indian shawl when adding to his first request six years later. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 9, 11 |
Textual Production | Carolina Oliphant, Lady Nairne | Purdie and Smith worked at the behest of an all-female editorial committee McGuirk, Carol. “Jacobite History to National Song: Robert Burns and Carolina Oliphant (Baroness Nairne)”. The Eighteenth Century: Theory and Interpretation, Vol. 47 , No. 2/3, pp. 253-87. 258 |
Textual Production | Emily Gerard | At eleven or twelve EG
began to scribble in secret—poetry of course; for what youthful writer at that stage of his or her existence would stoop to prose! Most of her poems were elegies on... |
Textual Production | Helen Craik | HC
was said after her death to have published writings in French, but these have not been traced. Some of her manuscripts are in private hands. Burns
's two surviving letters to her are in... |
Textual Production | Ellen Johnston | Her work garnered considerable response, including many poems of praise and compliment which were printed alongside her own in her later collection. These ranged from a verse proposal of marriage to a poetic tribute asserting... |
Textual Production | Anna Gordon | This best-known and most widely sung of all Scots songs dates from, at latest, the beginning of the eighteenth century. Many different writers turned their hand to new versions of it, including Burns
, whose... |
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