Savi, Ethel. My Own Story. Hutchinson.
164
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Ethel Savi | John Lane
asked her to meet his reader, M. P. (Mary Patricia) Willcocks
(herself the author of some very clever novels), who suggested that ES
should rewrite her manuscript. Savi, Ethel. My Own Story. Hutchinson. 164 M. P. Willcocks was... |
Publishing | George Egerton | John Lane
published GE
's first translation: Ola Hansson
's allegorical prose poems entitled Young Ofeg's Ditties, Stetz, Margaret. “Keynotes: A New Woman, Her Publisher, and Her Material”. Studies in the Literary Imagination, Vol. 30 , No. 1, pp. 89-107. 97 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Evelyn Sharp | Lane accepted the novel in November 1894 for his series called after George Egerton
's Keynotes. John, Angela V. Evelyn Sharp: Rebel Woman, 18691955. Manchester University Press. 13 |
Publishing | Agatha Christie | It was rejected by six publishers before Lane
contracted for it, paying AC
no advance or royalties until two thousand five hundred copies had been sold. She earned £25 in all from this edition. The... |
Publishing | George Egerton | After receiving Gill's advice, GE
sent the manuscript to William Heinemann
, who promptly returned it, saying he was not interested in publishing mediocre short stories. Egerton, George. A Leaf from the Yellow Book. Editor White, Terence de Vere, Richards Press. 28 |
Publishing | Victoria Cross | VC
began her literary career by sending manuscripts of the novel The Refiner's Fire and short story Different Views to publisher John Lane
. Mitchell, Charlotte. Victoria Cross, 1868-1952: A Bibliography. Victorian Fiction Research Unit, School of English, Media Studies and Art History, The University of Queensland. 16 |
Publishing | Victoria Cross | Little of the critical speculation about the genealogy of The Woman Who Didn't has been confirmed. Charlotte Mitchell
posits that the risqué subject matter of the novel VC
produced after signing a contract with Lane |
Publishing | George Egerton | Her friendship with Lane
, who published this collection, began to sour over the course of its writing. In a letter to him on 10 November 1896, GE
acknowledged that the volume might not be... |
Publishing | George Egerton | GE
's publishing relationship with Lane
ended in 1898 over poor sales of her later titles and Bodley Head
's increasing demands for more popular, accessible work.Grant Richards
(who like her had published in... |
Publishing | Rosamund Marriott Watson | She had entered negotiations with Lane
about the book's publication in January 1902: although she was keen for her friend to publish the book, she threatened in a letter to make an abrupt change of... |
Reception | George Egerton | Both lauded and lambasted, GE
was a sexually radical writer who challenged English reserve and literary reticence through the directness of her treatment of female desire. Ledger, Sally. The New Woman. Manchester University Press. 188 |
Reception | George Egerton | GE
tended not to read reviews of her works: she claimed to have a kind of contempt for English criticisms. Egerton, George. A Leaf from the Yellow Book. Editor White, Terence de Vere, Richards Press. 32 |
Textual Production | Michael Field | Only 400 copies were printed by Charles Elkin Mathews
and John Lane
for Bodley Head
. Field, Michael. Sight and Song; with, Underneath the Bough. Editors Thornton, R. K. R. and Ian Small, Woodstock Books. prelims |
Textual Production | Ella D'Arcy | Letters from EDA
to John Lane
, now in the Clark Library
in Los Angeles, were edited by Allan Anderson
in 1990. |
Textual Production | George Egerton | GE
published a fourth volume of stories in John Lane
's Keynotes series, this one entitled Fantasias, dedicated to Richard Le Gallienne
, with a title-page date of 1898. It was advertised among Books... |
No timeline events available.
No bibliographical results available.