Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Julia Kavanagh | H. F. Chorley
, the Athenæum reviewer, lauded it as an excellent story for young people, sound in morals and pleasant in incident,—with only one passing apparition of the Deus ex machina to disturb our... |
Literary responses | Julia Kavanagh | On 22 November 1848, Charlotte Brontë
wrote to William Smith Williams
(a friend of both herself and the author), I have read Madeleine. It is a fine pearl in simple setting. Julia Kavanagh has... |
Literary responses | Patricia Highsmith | Critic Bob Wake
discusses Highsmith's complex point-of-view techniques—a literary style begun by Henry James
—and her modelling The Talented Mr Ripley on his novel The Ambassadors (1903). He notes her humorous plays on the James... |
Literary responses | Anne Brontë | On 4 July 1846 two anonymous reviews of Poems by Currer
, Ellis
and Acton Bell
appeared, one mildly positive by Sydney Dobell
in the Athenæum, and one enthusiastic in the Critic. A... |
Literary responses | Elizabeth Singer Rowe | In a later generation Anna Letitia Barbauld
followed Hertford and Carter in celebrating ESR
her in poetry. Such different figures as Lady Mary Wortley Montagu
and Clara Reeve
endorsed her. She had a huge following... |
Literary responses | Harriet Martineau | The novel prompted a complimentary letter on 7 November 1849 from Currer Bell (Charlotte Brontë
) saying that in it he tasted a new and keen pleasure, and experienced a genuine benefit. In his... |
Literary responses | Anne Mozley | George Eliot
not only praised this review in a letter, but also instructed her publisher to send a copy of her next novel, The Mill on the Floss, to Bentley's
expressly so that it... |
Literary responses | Rebecca Harding Davis | The book was initially well-received. A reviewer for the mostly female-oriented Peterson's Magazine, for instance, declared that [o]n some of the deepest problems that agitate humanity [RHD
] has evidently thought much and... |
Literary responses | Julia Kavanagh | Nathalie was praised by JK
's fellow novelist Katharine S. Macquoid
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Elizabeth Gaskell | EG
called this work simply a little country love story, Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber. 251 |
Literary responses | Jessie Fothergill | The Spectator reviewer admitted to surprise at this novel, since whereas The First Violin and Probation were clever and interesting, it found little, if anything, in them to lead us to expect that their author... |
Literary responses | Elizabeth Gaskell | Around the time of Ruth's appearance, Swedish novelist and feminist Fredrika Bremer
(who was probably introduced to EG
by William
and Mary Howitt
) wrote: Dear Elizabeth, dear sister in spirit, if I may... |
Literary responses | Matilda Betham-Edwards | Geraldine Jewsbury
, reviewing this book for the Athenæum early the next year, was not exactly encouraging. She guessed the author's gender correctly, and judged the novel a pale imitation of Charlotte Brontë
's Jane... |
Literary responses | Julia Kavanagh | This novel was not as successful as JK
's earlier efforts. Charlotte Brontë
confided to William Smith Williams
, I have tried to read Daisy Burns; at the close of the 1st Vol. I... |
Literary responses | Anne Brontë | The novel was reviewed immediately by The Spectator and the Athenæum. The former accused the author of a morbid love for the coarse, not to say the brutal, and objected to the coarseness of... |
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