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Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | E. B. C. Jones | EBCJ
dedicated her final novel, Morning and Cloud, to Phyllis Hamerton
, with quotations from Edwin Muir
and William Blake
. Dated by the Bodleian Library
acquisition stamp. |
Intertextuality and Influence | Sylvia Kantaris | The final spin is represented by 8 Home-Computer Terminal, which concludes with a startling evocation of Blake
: Rose, thou art sick; a fatal error bugs thy memory banks.SK
's website demonstrates (as... |
Intertextuality and Influence | Judith Kazantzis | Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis
would address non-human beings as brothers. JK
writes... |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Sophia King | The contents are part new, part reprinted. SK
notes this in Remarks of the Author, which admits the claims of good taste but declares that fantastic imagination too has its place. She writes in... |
Friends, Associates | Lady Caroline Lamb | LCL
was for most of her adult life a good friend of Sydney Morgan
, to whom she confided many stories of her childhood and youth, which Morgan preserved in her diaries. She later helped... |
Publishing | Mary Lamb | In fact Mary had written the versions of all the comedies and histories, while Charles
did the tragedies only. The suppression of her name was not (as the Feminist Companion suggests) due to an error... |
Textual Production | Marghanita Laski | ML
dedicated this novel to her son Jonathan. She took her title from Blake
's The Little Boy Lost: Father, father where are you going? / Oh, do not walk so fast! / Speak... |
Theme or Topic Treated in Text | Marghanita Laski | ML
defines ecstasy as experiences that are joyful, transitory, unexpected, rare, valued, and extraordinary to the point of often seeming as if derived from a praeternatural source. Laski, Marghanita. Ecstasy: A Study of Some Secular and Religious Experiences. Cresset Press. 5 |
Textual Production | Q. D. Leavis | In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare
and Blake
, and a major influence on the formation of the... |
Literary responses | Denise Levertov | This provoked intense debate between DL
and Robert Duncan
. He felt impelled to tell her, I feel that revolution, politics, making history, is one of the great falsehoods—is [Blake
's] Orc in his... |
Textual Production | Penelope Lively | Once more the titles provoke curiosity. They include Venice, Now and Then, Grow Old Along with Me, the Best Is Yet to Be (opening line of a poem by Robert Browning
), Yellow... |
Textual Production | Marie Belloc Lowndes | For Mary King Patterson
of the New York Daily News (a personal friend), MBL
wrote It Is Happening Now, about England at war (an imaginary war, since the story was complete some months before... |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
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