Bedford, Sybille. Quicksands. Counterpoint.
249-50
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | W. H. Auden | In 1935 WHA
married Erika Mann
(cabaret artist, writer, and daughter of the more famous writer Thomas Mann
), in order to provide her with a British passport, an escape from Nazi Germany, and a... |
Family and Intimate relationships | Ella K. Maillart | EKM
relates that she travelled with a woman friend who was battling drug addiction. Christina, as she is called in the book (The Cruel Way, unpublished until 1947), was in fact the... |
Friends, Associates | Sybille Bedford | Introduced to Aldous Huxley
and his wife Maria
by the South African poet Roy Campbell
while at Sanary, the young SB
became their intimate friend. Bedford, Sybille. Quicksands. Counterpoint. 249-50 |
Friends, Associates | Ann Bridge | AB
's correspondents included Ka Arnold-Foster
, John Betjeman
, E. M. Forster
, Margaret Haig Rhondda
, Margaret Irwin
, John Masefield
, Naomi Mitchison
, I. A. Richards
, Vita Sackville-West
, and... |
Intertextuality and Influence | Elizabeth Jolley | In Palomino (a story which goes deliberately to extremes) a female doctor, who has been de-registered and imprisoned for murder, falls in love with the daughter of an ex-lover, who is pregnant from an incestuous... |
Intertextuality and Influence | Elizabeth Jolley | The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and... |
politics | Sylvia Townsend Warner | The organisation was set up in 1935, at the end of the First International Congress of Writers
held in the Salle de la Mutualité in Paris. It proposed to be a more partisan and... |
Residence | Sybille Bedford | Later, after the Reichstag fire in the spring of 1933, distinguished exiles from Nazi Germany, Jews and left-wingers who got out early, began to choose Sanary as their temporary home: Bertolt Brecht
, Thomas Mann |
Textual Production | Elizabeth Jolley |
No timeline events available.
No bibliographical results available.