Women’s Writing in the British Isles from the Beginnings to the Present
Felicia Hemans
-
Standard Name: Hemans, Felicia
Birth Name: Felicia Dorothea Browne
Married Name: Felicia Dorothea Hemans
Pseudonym: F. H.
Pseudonym: A Lady
A major Romantic poet and the most popular woman poet (or poetess as she and others expressed it) in English during the nineteenth century, FH
published nineteen volumes of verse and two dramas. While most of her work was poetry—songs, lyric poetry, dramatic lyrics (arguably dramatic monologues), narrative poetry, and verse drama—she also published literary criticism, and some of her private letters survive. After her death she became in the mid-Victorian period a household name and a staple for memorizing as the popular educational practice at home and in the colonies. Her evocation of the domestic affections and the values associated with English national valour and imperial strength resonated strongly with her contemporaries, but in the late Victorian period her work fell out of favour. Recently interest has revived in her as a female voice within Romanticism, and as a vehicle for bourgeois, domestic, and British hegemony that nevertheless also critiques the very values and ideals for which her work became a byword. Recognition of her as a major poetic voice has accompanied a substantial shift in the understanding of British Romanticism.
ER
's reputation stood high at her death, though it was subject to the ambivalence commonly met with by women writers at this period. The anonymous memoirist on her began by contradicting the barbarous opinion...
Literary responses
Ann Hawkshaw
In a review for the Athenæum, George Walter Thornbury
stated abruptly that AH
's collection has at least two merits,—it has no Preface and it has a purpose. Finding that the sonnets do not...
Literary responses
Jane Williams
Charles Hemans
, Felicia Hemans
's youngest son, wrote JW
to thank her for raising a worthy monument to his mother.
Fraser, Maxwell. “Jane Williams (Ysgafell) 1806-1885”. Brycheiniog, Vol.
7
, pp. 95-114.
108
He also praised the rest of the work for its elevating influences.
Fraser, Maxwell. “Jane Williams (Ysgafell) 1806-1885”. Brycheiniog, Vol.
7
, pp. 95-114.
108
Literary responses
Elizabeth Barrett Browning
EBB
's reputation fell sharply after the turn of the century. Virginia Woolf
wittily remarked in the 1930s: fate has not been kind to Mrs Browning as a writer. Nobody reads her, nobody discusses her...
Literary responses
Mary Russell Mitford
MRM
's plays were admired by Maria Edgeworth
, Joanna Baillie
, and Felicia Hemans
, though John Genest
(in Some Account of the English Stage, from the Restoration in 1660 to 1830, 1832), judged them dull.
Literary responses
Frances Browne
In the Dictionary of Literary BiographyMarya DeVoto
noted the interest in The Star of Attéghéi (and other poems in the volume) in the idea of exile, and the elegaic tone that pervades the volume...
Literary responses
Joanna Baillie
The Chief Justice of Ceylon, Sir Alexander Johnstone
, asked that two of JB
's last plays be translated into Singalese.One—The Bride, A Tragedy (published in summer 1828), had a Singalese subject.
Quarterly Review. J. Murray.
38 (1828): 602
Literary responses
Mary Howitt
Felicia Hemans
(whose work is warmly praised in it, in a piece called The Record of Poetry)
Woodring, Carl Ray. Victorian Samplers: William and Mary Howitt. University of Kansas Press.
22
admired the volume's feeling and beauty enough to write to MH
and tell her so, thereby...
Literary responses
Lydia Howard Sigourney
Edgar Allan Poe
's review of the US version in Graham's Magazine withdrew the charge of imitating Hemans
that he had formerly levelled at LHS
. She had now, he felt, found her own voice.
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
183
Literary responses
Maria Jane Jewsbury
Following her untimely death, writers such as Felicia Hemans
and Elizabeth Barrett Browning
expressed regret that the extraordinary powers of MJJ
's mind (particularly remarkable, said Barrett Browning, in a woman) had failed to produce...
Literary responses
Mary Ann Browne
The Monthly Review, though anxious that publicity might not be good for the young poet or her talent, nevertheless estimated her talent highly, found in the title poem the genuine divine fire, and...
Intertextuality and Influence
Mary Catherine Hume
The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans
Intertextuality and Influence
Elizabeth Bishop
One poem here embodies a particularly complex statement of relationship to the earlier tradition of women's writing: Casabianca, whose starting point is the poem of the same title by Felicia Hemans
. Hemans's poem...
Intertextuality and Influence
L. E. L.
LEL's own sense of herself as part of a female poetic tradition is revealed in her tributes to other poets, including Felicia Hemans
and Mary Ann Browne
.
L. E. L.,. Poetical Works of Letitia Elizabeth Landon. Editor Sypher, Francis Jacques, Scholars’ Facsimiles and Reprints.
408, 544, 340
Intertextuality and Influence
Harriet Smythies
In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and...
