Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | E. M. Forster | EMF
published Abinger Harvest, a collection of essays which includes Notes on the English Character, several pieces on India, and criticism of particular writers, including Jane Austen
. Burra, Peter. “Mr E. M. Forster Past & Present”. Times Literary Supplement, No. 1781, 21 Mar. 1936, p. 239. 239 Kirkpatrick, Brownlee Jean. A Bibliography of E. M. Forster. Clarendon, 1985. 47-8 |
Textual Production | Mary Stockdale | MS
(as Miss Stockdale) issued through her father
's firmThe Family Book; or, Children's Journal, translated from the French of Arnaud Berquin
, Interspers'd with Poetical Pieces written by the Translator... |
Textual Production | Lady Margaret Sackville | LMS
edited a volume of selections from Jane Austen, for which she wrote an introduction. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Textual Production | Angela Thirkell | She also provided introductions for editions of Jane Austen
's Persuasion, 1946, William Makepeace Thackeray
's The Newcomes, 1954, and Anthony Trollope
's Barchester Towers, 1958. |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Kathleen E. Innes | Of about a dozen other books in the series, this work was the only one written by a woman about a woman writer. Royds situates Barrett Browning within a strong tradition of women writers including... |
Textual Production | Ling Shuhua | LS read widely and intended to translate fiction by other Anglophone authors. In 1932, she began translating Austen
's Pride and Prejudice, but halted the project when she learned that one of her better-known... |
Textual Production | Catherine Gore | In The Cabinet MinisterCG
borrowed the foundations of a plot from Jane Austen
once more, in the story of an impoverished sister and brother, Bessy and Frank Grenfell, brought up out of reluctant charity... |
Textual Production | Ruth Prawer Jhabvala | Jane Austen
in Manhattan was shot on location in New York for Merchant-Ivory Productions
, with RPJ
's screenplay. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 108 Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 240 |
Textual Production | Alice Meynell | She often used this column to address the works of literary women of the past. She judged Jane Austen
inferior to Charlotte Brontë
, accepting Brontë's opinion that Austen lacked what she, by implication, possessed:... |
Textual Production | Michelene Wandor | MW
has specialized in adapting and abridging novels for radio. Between 1980 and 2004 she adapted a wide array of fiction by women writers, including works by Jane Austen
, Charlotte Brontë
, George Eliot |
Textual Production | Eglinton Wallace | It appeared in two different editions put out this year through the different publishers T. Hookham
, and Debrett
. The Debrett edition lists the price, one shilling and sixpence, on the title-page. “Eighteenth Century Collections Online”. Gale Databases. |
Textual Production | Emma Parker | The title-page quoted Pope
's dictum that woman's a contradiction still. Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby, 1811, 4 vols. title-page qtd. in Feminist Companion Archive. |
Textual Features | George Eliot | Ashton
discerns here the influence of Jane Austen
, but she deals with a wider social range and, unlike her predecessor, hints at dialect in the speech of her rustic characters. Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton, 1996. 176 |
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