Long, Robert Emmet. The Films of Merchant Ivory. Newly updated ed., Harry N. Abrams, 1997.
263, 199
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Bradstreet | Bathsua Makin
offered AB
as an example of an excellent poet in her Essay to Revive the Ancient Education of Gentlewomen, 1673, thereby bringing her to the attention of a large female readership in... |
Performance of text | Ruth Prawer Jhabvala | Mr. and Mrs. Bridge, a film of Merchant-Ivory Productions
with screenplay by RPJ
(in consultation with Evan S. Connell
, author of the novel Mrs. Bridge and its sequel), premiered at the VeniceFilm Festival |
Performance of text | Ruth Prawer Jhabvala | There opened in New York another immense Merchant-Ivory
success with RPJ
's screenplay: The Remains of the Day, adapted from the novel by Kazuo Ishiguro
. Long, Robert Emmet. The Films of Merchant Ivory. Newly updated ed., Harry N. Abrams, 1997. 263, 199 |
Performance of text | Ruth Prawer Jhabvala | Merchant-Ivory
's controversial and largely unpopular Jefferson
in Paris was finally released; in its original form RPJ
's script dates back to the 1980s. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 190 Long, Robert Emmet. The Films of Merchant Ivory. Newly updated ed., Harry N. Abrams, 1997. 262, 222-3 |
Performance of text | Ruth Prawer Jhabvala | Merchant-Ivory
's film Surviving Picasso premiered in New York for the thirty-fifth anniversary of the partnership; it, and especially RPJ
's script, were again controversial. Long, Robert Emmet. The Films of Merchant Ivory. Newly updated ed., Harry N. Abrams, 1997. 265, 241ff |
Performance of text | Ruth Prawer Jhabvala | The film of RPJ
's Heat and Dust, with her own screenplay, was released to mark the twenty-first anniversary of Merchant-Ivory Productions
. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 120, 199 |
Performance of text | Ruth Prawer Jhabvala | Quartet, a film from Merchant-Ivory Productions
with screenplay by RPJ
(adapted from Jean Rhys
's novel first published under a different title in 1928), premiered at the CannesFilm Festival
. Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 240 Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 112, 199 |
Performance of text | Ruth Prawer Jhabvala | RPJ
wrote for Merchant-Ivory ProductionsThe Bostonians: A Screenplay, from Henry James
's novel; the film was shown at the Cannes Film Festival this year. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 199 Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 242, 240 |
Performance of text | Ruth Prawer Jhabvala | Merchant-Ivory Productions
' A Room with a View, filmed from the novel by E. M. Forster
, was released with RPJ
's screenplay; its mass exposure helped to produce a peak moment in her fame. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 199-200 Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 240, 200 |
Textual Production | Ruth Prawer Jhabvala | After this RPJ
's output of screenplays for Merchant-Ivory Productions
was steadily maintained. She collaborated with James Ivory
in the fairy-tale-style The Guru, 1969, and the intense and atmospheric Bombay Talkie, 1970. Her... |
Textual Production | Ruth Prawer Jhabvala | RPJ
wrote the script for the Merchant-IvoryThe Courtesans of Bombay, 1983, without which the film would have been in practice a documentary. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 119 |
Textual Production | Ruth Prawer Jhabvala | RPJ
co-wrote with James Ivory
the script for the Merchant-Ivory
film Le Divorce, based on a novel by Diane Johnson
. It premiered in August 2003, and was the last film on which the... |
Textual Production | Anita Desai | AD
aimed in this novel to break through into a broader, male, literary world, escaping the interior I'd been living in, a female, almost a purdah, world that was so enclosed and oppressive even to... |
Textual Production | Ruth Prawer Jhabvala | The Householder, a film by Merchant-Ivory Productions
from RPJ
's novel, was released in New York: it was adapted by the author, and was her first film script. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 40 Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 239 |
Textual Production | Ruth Prawer Jhabvala | Jane Austen
in Manhattan was shot on location in New York for Merchant-Ivory Productions
, with RPJ
's screenplay. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 108 Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 240 |
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