Jane Austen

-
Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA 's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.

Connections

Connections Sort descending Author name Excerpt
Textual Features Mary Ann Kelty
At the end of the first volume Mortimer twice proposes to Eliza: once face to face and unpremeditatedly, then by letter. She does not accept him. By the end of the next volume he is...
Textual Features Mary Lavin
The novel is a treatment of Irish middle-class values. The domestic setting, opening strategy, and structure of the novel appear to be influenced by the work of Jane Austen , on whom ML had written...
Textual Features Elizabeth Sophia Tomlins
Though Theresa writes most of the letters in the book, the opening one, as often in women's epistolary novels at this date, is an exchange between men. Tomlins, however, does not attempt to capture a...
Textual Features A. S. Byatt
Her trenchant comments on the art of fiction include: If you don't see art as being profoundly related to the pleasure principle there's something wrong with you.
Friel, James, and Jenny Newman. “A. S. Byatt”. Contemporary British and Irish Fiction: An Introduction through Interviews, edited by Sharon Monteith et al., Hodder Headline, pp. 36-53.
39
The point of reading Jane Austen is...
Textual Features Muriel Spark
Spark's introduction speculates about the neglect of Mary Shelley, suggests as possible cause the fact that no single, facile cliché can encapsulate her, and puts forward a witty and trenchant list of the clichés to...
Textual Features Catherine Hutton
Of particular value in CH 's letters are her comments on literature. She offered detailed views on (probably) Elizabeth Heyrick 's Exposition, a pamphlet about economics, admiring the language while doubting Heyrick's capacity to...
Textual Features Mary Lavin
Mary O'Grady treats the subject of the unfolding of a whole human life—a woman's—from young adulthood to death. ML 's heroine here bears her own Christian name, and the heroine's husband, Tom O'Grady, bears the...
Textual Features Lady Louisa Stuart
LLS 's letters to Scott show her to have been a trusted and perceptive critic of his novels, which she often read before publication. On The Heart of Mid-Lothian she sent him a major critique...
Textual Production Rose Tremain
RT published a novel entitled Music and Silence, which she dedicated to her daughter, Eleanor.
Scholar John Mullan has related the title to others employing two abstract nouns, like Elizabeth Inchbald 's Nature and...
Textual Production Naomi Royde-Smith
NRS published a largely epistolary novel which is designed as a companion piece to Jane Austen 's Emma. Entitled Jane Fairfax: A New Novel, it is written in a pastiche of early-nineteenth-century style.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Sarah Waters
SW wrote her foreword to Dancing with Mr Darcy. Stories Inspired by Jane Austen and Chawton House Library, selected in a competition which she had also judged, and published this year.
Waters, Sarah. “Foreword”. Dancing with Mr Darcy, Honno, pp. 1-4.
4
Textual Production Muriel Spark
Spark's first Brontë project was a group biography of the whole family, including the parents. In June 1949 she felt like a pregnant tigress with this work. It was to be published by Lindsay Drummond
Textual Production Emma Parker
The title-page quoted Pope 's dictum that woman's a contradiction still.
Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby.
title-page
Feminist Companion Archive.
The publisher was Crosby (who at this date was holding Jane Austen 's Susan unpublished), and booksellers at Wrexham and Liverpool were mentioned...
Textual Production Lady Margaret Sackville
LMS edited a volume of selections from Jane Austen, for which she wrote an introduction.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Melesina Trench
Because a grand-daughter (Mary-Melusina, daughter of Richard Chenevix Trench) married a son of James Edward Austen-Leigh (first biographer of his aunt Jane Austen ), MT 's papers are now housed with the Austen-Leigh papers at...

Timeline

No timeline events available.

Texts

No bibliographical results available.