Wentworth, Anne. The Revelation of Jesus Christ.
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Connections Sort descending | Author name | Excerpt |
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Textual Features | Anne Wentworth | Then follow a number of short, dated passages in prose and verse, beginning with a few from 1677 and 1678. The prophetic refrain Woe to England is heard again. Wentworth, Anne. The Revelation of Jesus Christ. 2 |
Textual Features | Edna Lyall | Mondisfield Hall, depicted here as it was during the Restoration, is based on Badmondisfield (or Badmondesfield) Hall, an Elizabethan moated manor at Wickhambrook in Suffolk, where as a girl EL
used to stay with... |
Textual Features | Edna Lyall | This is another English Civil War story, in which imaginary characters (a pair of courting lovers, a villain, the noble-hearted Charlotte who is based on EL
's nurse during her childhood, and Joscelyn Heyworth and... |
Textual Features | Catherine Gore | In this unusual book CG
seems to stand mid-way between Coventry
in Pompey, 1752 (using her canine protagonist for intimate satire on the chiefly female upper classes), and Virginia Woolf
in Flush, 1933... |
Textual Features | Delarivier Manley | This oriental tragedy, set in an exotically-imagined east, opposes a sizzlingly sexual female villain, Homais (played by Elizabeth Barry
), and a model, patient, suffering but excessive heroine, Princess Selima (played by Anne Bracegirdle |
Textual Features | Ephelia | Its tone of hyperbolical praise for the monarchy is set by the opening couplet: Hail Mighty Prince! whom Providence design'd / To be the chief delight of Human Kind. Ephelia,. A Poem to His Sacred Majesty, on the Plot. Henry Brome. |
Textual Features | Elizabeth Goudge | Her protagonist, Lucy Walter
, was an actual person, mistress or perhaps wife to Charles II
and mother of the Duke of Monmouth
. EG
was moved to write her story after reading Lucy Walter... |
Textual Features | Mary Caesar | Her own meeting with the monarchy in the person of Queen Anne
is handled with hyperbole: it was as Impossible for me Even to Attempt the Beauties of that Excellent Queens Mind, as for Kneller |
Textual Features | Margaret Cavendish | This is a formal and in many ways old-world celebration, though MC
's irrepressible personality comes through here and there. The title relays the Duke of Newcastle's various honours and peerages. Dedications to the king |
Textual Features | Anne Halkett | In this retrospective work AH
expressed horror at the excesses of the Scots Presbyterians
. She also gives here the dates of birth and death of her children, details about her financial trouble with her... |
Textual Production | Margaret Fell | MF
printed her Letter sent to the King (together with a Paper written unto the Magistrates in 1664, which was then printed, and should have been Dispersed but was Prevented by Wicked Hands). OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Jenkins | EJ
wrote a play as a vehicle for her friend Baliol Holloway
, in which he collaborated with her, supplying the theatrical expertise and especially his sense of stage timing. He played Charles II
in... |
Textual Production | Elizabeth Isabella Spence | EIS
published, anonymously, her final novel, Dame Rebecca Berry, or, Court Scenes in the Reign of Charles The Second. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green . prelims |
Textual Production | Anne Wentworth | AW
addressed King Charles II
and the Lord Mayor of London in two separate prophecies which deliver apocalyptic judgments on the state of the nation. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Anne Whitehead | The year after her second marriage, AW
(with thirty-six other women, including Rebecca Travers
and Mary Elson
) signed For the King
and both Houses of Parliament, a petition against the imprisonment of Friends |
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