Cobbe, Frances Power. The Confessions of a Lost Dog. Griffith and Farran.
prelims
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Catherine Gore | In this unusual book CG
seems to stand mid-way between Coventry
in Pompey, 1752 (using her canine protagonist for intimate satire on the chiefly female upper classes), and Virginia Woolf
in Flush, 1933... |
Literary responses | Eliza Haywood | In the Monthly Review, Ralph Griffiths
passed a judgement which was inflected against Betsy Thoughtless by issues of gender. He guessed that the author was female because of the novel's attention to matters of... |
Textual Features | Frances Power Cobbe | It is, as the subtitle Reported by Her Mistress suggests, written in the voice of the author's Pomeranian. Cobbe, Frances Power. The Confessions of a Lost Dog. Griffith and Farran. prelims |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Production | Catherine Gore | CG
in The Story of a Royal Favourite followed in the footsteps of Francis Coventry
in Pompey the Little, by choosing a dog as her satirical narrator of the scandals of high life. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Laetitia-Matilda Hawkins | Jan Fergus
notes that the title mention of a dog may have raised false expectations of satire through a naive observer in the manner of Francis Coventry
's The History of Pompey the Little; or... |
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