Calder-Marshall, Arthur. “A Genius at Home”. Times Literary Supplement, No. 3056, p. 612.
612
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Marie Stopes | The Authorized Life of Marie C. Stopes, a biography of MS
bearing the name of Aylmer Maude
, her longtime friend and biographer of Tolstoy
and many others, was paid for (and mostly written)... |
Textual Production | Rose Tremain | RT
published a novel entitled Music and Silence, which she dedicated to her daughter, Eleanor. Scholar John Mullan
has related the title to others employing two abstract nouns, like Elizabeth Inchbald
's Nature and... |
Textual Production | Charlotte Maria Tucker | CMT
, under the initials A.L.O.E., published War and Peace. A Tale of the Retreat from Caubul. She was just ahead of Tolstoy
's more famous use of the title. The retreat of... |
Textual Production | Lady Cynthia Asquith | LCA
's next biography, that of Sonya Tolstoy
, appeared six months posthumously under the title of Married to Tolstoy. Calder-Marshall, Arthur. “A Genius at Home”. Times Literary Supplement, No. 3056, p. 612. 612 |
Textual Production | Matilda Betham-Edwards | |
Textual Production | Rebecca West | A commission for RW
to write a New Yorker article on Tolstoy
's grandson, who lived in Mexico, spurred her to an important, though unrealised, project for a Mexican travel-book. Quinones, Sam. “A singular view”. Guardian Weekly, p. 34. 34 |
Textual Production | Edith Lyttelton | EL
was in demand for years as a contributor to the publishing projects of others. Her name (as the Hon. Mrs. Alfred Lyttelton) appears, for instance, on a suffrage pamphlet of late 1906 (partly... |
Textual Production | Anne Carson | AC
's poetry collection Men in the Off Hours, 2000, variously inhabits the minds (and bodies) of Tolstoy
, Lazarus, Freud
, Catullus
, Sappho
and Emily Dickinson
, not to mention the French... |
Textual Production | Jean Plaidy | JP
had begun writing some years before this first publication. Bennett, Catherine. “The Prime of Miss Jean Plaidy”. The Guardian, pp. 23-4. 23 |
Textual Features | Bernice Rubens | Mother Russia begins in a manner closely reminiscent of BR
's own Brothers (its closest parallel among her previous books). Again two near-simultaneous births take place in Tsarist Russia on a day also marked by... |
Textual Features | Hannah Lynch | HL
's admiration of Meredith is very evident in the preface and throughout the book, which foregrounds his attention to the New Woman. Lynch refers to him as a master in English literature, and above... |
Textual Features | Constance Lytton | Most of the letters here are addressed to CL
's mother, her editor-sister, and two close friends who were also relations, her aunt Theresa Earle
and her cousin Adela Smith
. Elizabeth Edith, Countess of Balfour, and Constance Lytton. “Preface, Introduction”. Letters of Constance Lytton, edited by Elizabeth Edith, Countess of Balfour and Elizabeth Edith, Countess of Balfour, Heinemann, p. v, xi - xv. v |
Textual Features | Margaret Kennedy | Here Kennedy argues that entertainment and enjoyment are valuable aims for the novel. She maintains that the novelist is, in essence, a storyteller, but the storyteller-novelist has been excluded by a literary society that devalues... |
Textual Features | Mary Elizabeth Coleridge | While Charlotte Brontë
, MEC
argues, swept the world away in the storm of her passion and George Eliotconquered it with the power of understanding, [Elizabeth] Gaskell
forced it to weep for pity [and]... |
Author summary | Constance Garnett |
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