Athenæum. J. Lection.
1843 (1863): 261
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Jane Porter | JP
's use of historical figures and her descriptions of the Kościuszko Uprising of 1794 made many readers suppose that the first volume especially was history, not fiction. A friend of the family felt sure... |
Literary responses | Charlotte Maria Tucker | The Athenæum proclaimed, a more entertaining and salutary story for merry, scatter-brained, careless children has rarely been put on paper. Athenæum. J. Lection. 1843 (1863): 261 |
Literary responses | George Eliot | On the whole reviewers were enthusiastic (E. S. Dallas
began his notice in the Times, George Eliot is as great as ever Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble. 131 |
Literary responses | Elizabeth Barrett Browning | EBB
's ballads have proved of particular interest to feminist critics. Dorothy Mermin
argues that in this apparently most innocent, retrogressive, and sentimental of female genres, she was exploring what was to become her central... |
Literary responses | Georgiana Chatterton | GC
was already beginning her habit of sending out copies of her works to eminent literary men, who were usually polite enough to reply with the hoped-for tribute of praise. She sent a copy of... |
Literary responses | Elizabeth Gaskell | |
Literary responses | Sarah Austin | Around the time of these publications, Thomas Carlyle
commented wryly on SA
's increasing literary reputation, lamenting that she was becoming a London distinguished female. Hamburger, Lotte, and Joseph Hamburger. Troubled Lives: John and Sarah Austin. University of Toronto Press. 72 |
Leisure and Society | Anna Brownell Jameson | ABJ
attended (with Robert Browning
) a lecture given by Thomas Carlyle
on The Hero as Divinity, and a week later on The Hero as Poet (later part of On Heroes, Hero-Worship and the... |
Leisure and Society | Dorothy Bussy | Dorothy's parents numbered among their friends and acquaintances many prominent artists, scientists, and politicians. These included Browning
, Ruskin
, Tennyson
, Jane
and Thomas Carlyle
, Francis Galton
, Percy Lubbock
, and John Tyndall |
Intertextuality and Influence | E. A. Dillwyn | This heroine, who is appealing despite her undeniable priggishness, opens her diary under the aegis of Thomas Carlyle
(to whom she would have liked to dedicate her journal had he been alive, because of his... |
Intertextuality and Influence | Mary Anne Barker | MAB
's discussion of schools leads her into an account of a visit made by the Norwegian missionary, Bishop Schreuder
, to a later Zulu chief, Cetshwayo
, taken from a blue-book or government report... |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | Sir Arthur Conan Doyle | In Through the Magic DoorSACD
wrote of those authors whom he felt to have been his most important influences, including Froissart
, Boswell
, Walter Scott
, Thomas Babington Macaulay
, Carlyle
, Melville |
Intertextuality and Influence | Annie Keary | She took as implicit motto for all her own writings the words from Thomas Carlyle
's Biography (on the foolishness of both writer and subject) with which Elizabeth Gaskell
prefaced Mary Barton. Keary, Eliza. Memoir of Annie Keary. Macmillan. 196 |
Intertextuality and Influence | Constance Naden | Of the three poems named in the overall title, the first two employ ottava rima (rhyming abababcc), and the third a six-line stanza with one fewer ab. A Modern Apostle follows the career of the... |
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