Elizabeth Carter
-
Standard Name: Carter, Elizabeth
Birth Name: Elizabeth Carter
Nickname: Mrs Carter
Used Form: A Lady
EC
was renowned during a long span of the later eighteenth century as a scholar and translator from several languages and the most seriously learned among the Bluestockings. Her English version of Epictetus
was still current into the twentieth century. She was also a poet and a delightful letter-writer.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Anne Katharine Elwood | Some of the British women writers discussed in the text remain well-known, but others have slipped into obscurity. Memoirs includes: Lady Mary Wortley Montagu
, Griselda Murray
, Frances Seymour, Lady Hertford
, Hester Lynch Piozzi |
Intertextuality and Influence | Charlotte Elliott | While some of these poems, such as It is not known that I am married, anticipate her later religious emphasis, they are mainly lighthearted and secular. All CE
's verses are referred to in... |
Textual Features | Dorothea Du Bois | After seven pages on grammar, she offers pattern letters: those in verse are in effect an anthology of epistolary poems by women, a patriotically generous selection of Irish writers (Mary Monck
, Mary Barber |
Textual Production | Sarah Dixon | SD
's subscription for her book of poems must have been nearly complete when Elizabeth Carter
wrote to Edward Cave
asking for any leftover copies of the proposals. Messenger, Ann. Pastoral Tradition and the Female Talent: Studies in Augustan Poetry. AMS Press. 236 n6 |
Friends, Associates | Sarah Dixon | Perhaps from her time in London, SD
made some literary relationships. She was a good friend of Elizabeth Carter
, and she subscribed to Mary Jones
's Miscellanies in Prose and Verse, published in 1750. Messenger, Ann. Pastoral Tradition and the Female Talent: Studies in Augustan Poetry. AMS Press. 140 Nicholls, C. S., editor. The Dictionary of National Biography: Missing Persons. Oxford University Press. |
Publishing | Sarah Dixon | SD
reveals her gender in her preface merely by her use of pronouns. Her motive for publishing was a dire need of money. An unnamed benefactor in her family supplied the need, but she decided... |
Friends, Associates | Mary Collyer | MC
knew Elizabeth Carter
slightly before her marriage, and was a friend of Samuel Richardson
. Carter wrote of her to Elizabeth Montagu
and as an author she also met other Bluestockings, becoming particularly... |
Textual Features | Elizabeth Cobbold | This collection features poetry by women such as Anna Maria Porter
, Amelia Opie
, Lucy Aikin
, Elizabeth Carter
, Anna Letitia Barbauld
, Anne Hunter
, Mary RobinsonCharlotte Smith
, and EC
herself. |
Textual Production | Hester Mulso Chapone | HMC
contributed a prefatory ode in praise of Elizabeth Carter
's Epictetus, which appeared with it in April 1758. |
Textual Features | Hester Mulso Chapone | When Richardson offered her a list of examples of filial disobedience, she replied that no doubt an equally heinous list could be produced of parental oppression. With Carter
she mulled over religious and literary questions... |
Friends, Associates | Hester Mulso Chapone | Hester Mulso
, while visiting her aunt at Canterbury, met Elizabeth Carter
there. Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon. 76, 78 |
Dedications | Hester Mulso Chapone | HMC
published Miscellanies in Prose and Verse, with her name, dedicated to Elizabeth Carter
. Gentleman’s Magazine. Various publishers. 45 (1775): 86 |
Textual Production | Hester Mulso Chapone | This was the earliest occasion on which anyone other than Johnson himself wrote any part of the Rambler, a publication which Mulso and Elizabeth Carter
agreed in finding too gloomy in tone. |
Theme or Topic Treated in Text | Hester Mulso Chapone | The essay conceals a serious argument about people who miss their vocation in life under the carefully light-hearted guise of a dream-vision about Jupiter taking pity on such people and redirecting them. It makes a... |
Textual Production | Susanna Centlivre | The writer of the preface takes up the cudgels for Centlivre in feminist style, dwelling on the obstacles she faced as a woman, and invoking the achievements of other women like Anne Dacier
, May Drummond |
Timeline
No timeline events available.
Texts
No bibliographical results available.