Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press.
97
Connections | Author name Sort descending | Excerpt |
---|---|---|
Occupation | Anne Damer | AD
appeared in private theatricals first at her brother-in-law the Duke of Richmond
's, and later at Strawberry Hill. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 97 |
Friends, Associates | Anne Damer | AD
's wide circle of friends included Georgiana, Duchess of Devonshire
, Lady Melbourne
, Joanna Baillie
, Sarah Siddons
, the Berrysisters
, the dramatist Lady Elizabeth Craven (formerly Berkeley, later Margravine of Anspach) |
Family and Intimate relationships | Anne Damer | Whatever the truth or falsehood of the Elizabeth Farren story or all the hostile printed stories, AD
was seriously in love—as her notebooks full of extracts of letters record—with her friend Mary Berry
. The... |
Cultural formation | Anne Damer | The painter and diarist Joseph Faringdon
commented on AD
's wearing men's clothes, as well as on the ecstacy of meeting and the agony of parting between her and the two MissBerry
s. Lanser, Susan Sniader. “’Pulled from the Straight’: Dorothy Wordsworth, Anne Lister, and the Poetics of Irregularity”. British Eighteenth- and Nineteenth-Century Women Conference, Lawrence, KS. |
Textual Production | Anne Damer | AD
's activity as a sculptor dates mostly from after 1777. Her best-known works include the keystones of the bridge at Henley, carved to represent the rivers Thames and Isis: completed in 1785, they... |
Textual Production | Anne Damer | The Lewis Walpole Library
holds four volumes of AD
's notebooks, containing extracts from her own letters addressed to a woman who must be Mary Berry
, thirteen complete letters from her to Horace Walpole |
Textual Production | Anne Damer | AD
regularly gave away copies of her work to female friends, sometimes as wedding presents. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 109 |
Textual Production | Dorothy Sidney, Countess of Sunderland | DSCS
was close to her son-in-law, and continued a correspondence with him years after her daughter's death. Her letters to Halifax were published by Mary Berry
in 1819, together with the letters of Lady Rachel Russell |
Friends, Associates | Maria Edgeworth | By now ME
was a celebrity, and could count on being introduced to the local literati when she travelled. On this visit to London she finally met Etiénne Dumont
, the utilitarian, with whom she... |
Textual Production | Catherine Fanshawe | Mary Berry
's Journals and Correspondence, posthumously published in 1865, added another minor poem to CF
'surviving canon: The Country Cat. Berry, Mary. Extracts of the Journals and Correspondence of Miss Berry. Editor Lewis, Lady Theresa, Longmans, Green. 3: 526-8 |
Textual Features | Catherine Fanshawe | |
Literary responses | Catherine Fanshawe | CF
's immediately posthumous reputation rested, like her writings themselves, on oral tradition. She had the admiration of William Cowper
and Walter Scott
, as well as Joanna Baillie
, Anne Grant
, and Mary Berry |
Friends, Associates | Catherine Fanshawe | CF
's friends included other highly literate middle-class women such as Mary Berry
and Anne Grant
in Edinburgh. (Her friendship with Grant was maintained entirely by correspondence—she and her sisters hoped to visit Edinburgh in... |
Friends, Associates | Eliza Fletcher | Hamilton, herself a conservative, set about de-demonizing EF
's political reputation. She had good success in persuading her friends that Mrs Fletcher was not the ferocious Democrat she had been represented, and that she neither... |
Friends, Associates | Elizabeth Hervey | EH
's probably full social life has left few traces. She is mentioned twice among Mary Berry
's circle in 1791, and Berry paid her the oblique compliment of calling her Mrs. Pompoustown Hervey after... |
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