Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons.
41
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Catherine Fanshawe | Three poems were published together anonymously, of which one, variously known as The Ænigma, The Riddle, and Riddle on the Letter H, was attributed to Byron
but was actually written by CF
. Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons. 41 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Textual Production | Lady Caroline Lamb | LCL
read an advance copy of the early cantos of Byron
's Childe Harold, and wrote a poem expressing her wish to emulate him. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1 |
Textual Production | Lady Caroline Lamb | The British Library Catalogue lists this work under Byron
, not Lamb. She paid for its publication, and sent copies to friends and reviewing journals. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 231 |
Textual Production | Mary Shelley | The presentation copy of Frankenstein, first edition, which MS
inscribed To Lord Byron
, from the Author, turned up among the papers of the Labour politician |
Textual Production | Amelia Beauclerc | The title-page suggests foreboding by again quoting Byron
, Fair laughs the morn. |
Textual Production | Mathilde Blind | The same year as MB
's editions of Byron
, her biography Madame Roland appeared: it was her second contribution to the Eminent Women Series. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Textual Production | Lady Caroline Lamb | LCL
anonymously published A New Canto to satirize Byron
's Don Juan (of which only two cantos were so far in print). Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
Textual Production | Lady Caroline Lamb | An odd spin-off from LCL
's desire to make herself into a professional writer was her project for a pocket diary or almanac. These ephemeral publications were repositories of useful information of many kinds as... |
Textual Production | Elizabeth Jenkins | EJ
published her first historical biography, that of Lady Caroline Lamb
(writer and lover of Byron
). It was the first full-length study of Lady Caroline to reach print. In 2010 Contemporary Authors, inexplicably... |
Textual Production | Sydney Owenson, Lady Morgan | OCLC attributes to SOLMThe Mohawks; A Satirical Poem with Notes, 1822; other comparable library catalogues do not. The vaguely Byron
ic style and the detailed allusion to English and Irish party politics is... |
Textual Features | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Features | Caroline Bowles | The poem, called a burlesque epic Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate. 81 Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate. 89 |
Textual Features | Elizabeth Cobbold | EC
employed couplets, stanzas, and blank verse to address her African, Oriental, pastoral, medieval, and contemporary subjects; the one non-exotic tale is best, but all have dash and vigour. A battle-ballad sounds Byron |
Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
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