Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114.
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Connections Sort ascending | Author name | Excerpt |
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Textual Features | A. Mary F. Robinson | In her preface she claims the ballad and other popular poetic forms as the especial territory of women writers. Although her poems, says this preface, lack the splendour of Byron
or Hugo
, or the... |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Features | Emma Caroline Wood | The volume included selections from Byron
, George Eliot
, Samuel Taylor Coleridge
, Christina Rossetti
, Sir Walter Scott
, Alfred Lord Tennyson
, Elizabeth Barrett Browning
and William Wordsworth
. |
Textual Features | Marguerite Gardiner, Countess of Blessington | On Byron
's death she wrote an elegy in twelve couplets. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 65 |
Textual Features | Mary Ann Browne | Her title poem is rich and dignified, written in Spenser
ian stanzas. The later Ocean is a poem in similar style. Many other pieces are social and sentimental, with titles like Tears, Loves... |
Textual Features | Augusta Webster | Shorter pieces include The River, Two Maidens, and The Hidden Wound. Lota, the last and longest in the collection, is a narrative poem in blank verse. It is most heavily indebted... |
Textual Features | Una Marson | |
Textual Features | Harriet Beecher Stowe | She also published articles in the Atlantic Monthly between 1857 and 1879. She wrote of slavery and emancipation, and of domestic topics. Her Sojourner Truth
. The Libyan Sybil appeared in April 1963, and The... |
Textual Features | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Features | Caroline Bowles | The poem, called a burlesque epic Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate. 81 Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate. 89 |
Textual Features | Elizabeth Cobbold | EC
employed couplets, stanzas, and blank verse to address her African, Oriental, pastoral, medieval, and contemporary subjects; the one non-exotic tale is best, but all have dash and vigour. A battle-ballad sounds Byron |
Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
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