Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan.
300
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Sydney Owenson, Lady Morgan | OCLC attributes to SOLMThe Mohawks; A Satirical Poem with Notes, 1822; other comparable library catalogues do not. The vaguely Byron
ic style and the detailed allusion to English and Irish party politics is... |
Textual Production | Lady Caroline Lamb | LCL
published another satire on Byron
's writing: Gordon, A Tale, A Poetical Review of Don Juan, in two cantos. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 300 |
Textual Production | George Paston | "To Lord Byron
": Feminine Profiles Based Upon Unpublished Letters, a volume of women's letters that GP
left unfinished, was posthumously issued, completed by a younger historian, Peter Quennell
. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1948 (3 June 1939): 329 Miller, Anita, and George Paston. “Afterword”. A Writer of Books, Academy Chicago Publishers, pp. 261-5. 265 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 149 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne. 142 |
Textual Production | Catherine Fanshawe | Barbarina Brand, Lady Dacre
, later wrote that she owned a copy of the Riddle on the Letter H in Fanshawe's handwriting dating from around 1806, before anyone had heard of Byron
. Barbarina Charlotte, Lady Grey,. A Family Chronicle. Editor Lyster, Gertrude, John Murray. 21 |
Textual Production | Harriette Wilson | HW
had been writing lively, idiosyncratic letters all her life (of which those to Byron
, for instance, survive). Her Memoirs were a venture not only in publishing but also in blackmail. Having completed enough... |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy. |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | The manuscript of this play subsequently went missing. There were stories that Byron
had plagiarised his highly successful Kruitzner adaptation, Werner, from it. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 331n8 |
Textual Production | George Paston | GP
had discovered these letters—written by, among others, Elizabeth Pigot
, Lady Caroline Lamb
, Augusta Leigh
, Lady Melbourne
, Annabella Milbanke
, Claire Clairmont
, and the actresses Susan Boyce
and Mrs Spencer... |
Textual Production | Percy Bysshe Shelley | PBS
published his long poem Queen Mab, following quickly on Byron
's The Giaour. Granniss, Ruth S. A Descriptive Catalogue. The Grolier Club. 28-9 |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Emma Caroline Wood | The volume included selections from Byron
, George Eliot
, Samuel Taylor Coleridge
, Christina Rossetti
, Sir Walter Scott
, Alfred Lord Tennyson
, Elizabeth Barrett Browning
and William Wordsworth
. |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
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