Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn.
231
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Melesina Trench | The University of Texas at Austin
holds the only known copy. (MT
also reproved Byron
in verse for his English Bards and Scotch Reviewers.) Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 231 |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Textual Production | Catherine Gore | As a girl Catherine Moody (later CG
) was called The Poetess by her friends. Two juvenile poems (one a final canto to Byron
's Childe Harold, the other entitled The Graves of the... |
Textual Production | Jane Loudon | The title-page bears a couplet from Byron
's Don Juan: 'Tis pleasant sure to see one's name in print, / A book's a book, although there's nothing in't. |
Textual Production | Barbarina Brand, Baroness Dacre | In March 1819 Joanna Baillie
had described her as Still hankering after the Drama, but fearful & diffident of herself. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 2: 1191 |
Textual Production | Frances Trollope | |
Textual Production | Edna O'Brien | In Byron
in Love, EOB
presented a vivid gallery of the poet's lovers, but more especially his relationships with his wife, Isabella Milbanke
, and his half-sister, Augusta Leigh
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Lucille Iremonger | LI
published two biographies of English princesses: of Princess Sophia
, daughter of George III
(who bore a child to an unidentified father), in 1958, and of Queen Victoria
's daughters in 1982. In 1981... |
Textual Production | Margiad Evans | ME
did some writing even after she moved to Sussex, but she dissipated her inadequate energy on competing projects: a play about Byron
, a short study of John Clare
, a few stories... |
Textual Production | Harriet Beecher Stowe | HBS
defended the role taken by Lady Byron
in her marriage to the poet
, which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press. 368 Adams, John R. Harriet Beecher Stowe. Twayne. 88 |
Textual Production | Amelia Beauclerc | The title-page quotes Byron
. |
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne. 142 |
Textual Production | Catherine Fanshawe | The letter that CF
wrote about her first meeting with Germaine de Staël
(also, apparently, her first meeting with Byron
) concentrates firmly on de Staël: Eloquence is a great word, but not too big... |
Textual Production | Harriette Wilson | HW
had been writing lively, idiosyncratic letters all her life (of which those to Byron
, for instance, survive). Her Memoirs were a venture not only in publishing but also in blackmail. Having completed enough... |
Textual Production | Mary Ann Browne | She quotes L. E. L.
on her title page, and dedicates her work (these early efforts of my timid Muse) Browne, Mary Ann. Mont Blanc. Hatchard and Son. v |
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