Critical Review. W. Simpkin and R. Marshall.
3 (1804): 470
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Literary responses | Mary Julia Young | The Critical Review (in January 1804) noted the catchpenny appeal of the title to devotees of the gothic: in these days when ghosts and mysteries are so fashionable. It thought, however, that this novel told... |
Intertextuality and Influence | Mary Julia Young | The story opens with Frederic Duvalvin rushing to the aid of an aged peasant and his mule (though he ruins his clothes in doing so), while his cousin Lorenzo di Rozezzi refuses to help. (These... |
Literary responses | Mary Julia Young | The Critical Review (besides alleging indebtedness to Henry Fielding
) judged that both characters and story were well done, but that the ending was wildly improbable. Critical Review. W. Simpkin and R. Marshall. 3 (1804): 470 |
Textual Production | Sarah Scudgell Wilkinson | She also adapted works by Henry Fielding
and George Lillo
, and a version of the Inkle and Yarico story originated by Richard Steele
and versified by Frances, Lady Hertford
. National Union Catalog. Roman and Littlefield. |
Literary responses | Jane West | The Critical Review was enthusiastic about A Gossip's Story, recommending it as an antidote to the pernicious maxims of most modern sentimental novels. The reviewer said that West's frequent touches of delicate humour came... |
Theme or Topic Treated in Text | Rebecca West | This series of essays grapples with the relation of the human will to religious and civil authority, as illustrated in various masterpieces of Western literature. British Book News. British Council. (1958): 739 |
Intertextuality and Influence | Ann Thicknesse | Richard Graves may have been disappointed, for the introduction and early lives are substantially the same as in the 1778 version which he had already read (though Hester Mulso Chapone
has been added to the... |
Textual Features | Catherine Talbot | CT
's letters often convey her literary opinions, discussing writing by, for instance, Marie de Sévigné
, Richardson
, Henry Fielding
and Samuel Johnson
. She also writes of the details of her daily life... |
Intertextuality and Influence | Elizabeth Strutt | Her picture of ecclesiastical life features the other-worldly curate, Slender, the satirically-drawn rector, the Rev. Mr Plufty, and their respective daughters. ES
gives much of the story in the words of Slender's journal (always unworldly... |
Intertextuality and Influence | Anna Steele | The novel begins with the Lisle family taking up residence at the ill-fated house of Gardenhurst, an estate that had been gambled away by its young heir during the reign of Charles II
, and... |
Author summary | Susan Smythies | SS
published three novels during the 1750s, which show her well versed both in the modern novel created by Henry Fielding
and Richardson
, and in an older tradition of satirical and didactic fiction relying... |
Intertextuality and Influence | Susan Smythies | |
Literary responses | Susan Smythies | The Critical Review later identified this story as an imitation of Henry Fielding
. Critical Review. W. Simpkin and R. Marshall. 7 (1759): 79 |
Literary responses | Susan Smythies | The Critical Review noted that SS
was imitating Richardson
in this novel (as she had imitated Fielding
in her last). In The Brothers it found all the machinery of a modern novel, without the overall... |
Literary responses | Charlotte Smith | Some reviewers (who saw the novel as domestic rather than political) were not enthusiastic; the Critical claimed in a lengthy notice to be disappointed in almost every respect with this performance, and deplored the example... |