MacHale, Desmond. The Life and Work of George Boole: A Prelude to the Digital Age. Cork University Press.
312
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Christina Stead | After its appearance in England this book was reviewed for the Times Literary Supplement by Anthony Samuel Curtis
, together with a recent reprint of For Love Alone. Curtis judged that two novels shared... |
Literary responses | Mary Butts | The first edition of Ashe of Rings was not extensively reviewed. Although an unimpressed reviewer for the Liverpool Courier characterised it as another bad case of Futurism (like the writing of James Joyce
and Dorothy Richardson |
Literary responses | Virginia Woolf | Orlando set a new level in VW
's public reputation. The usual polarization of reviews was represented by J. C. Squire
in The Observer calling it a very pleasant trifle that would entertain the drawing-rooms... |
Literary responses | Ethel Lilian Voynich | Bertrand Russell
exclaimed that it was one of the most exciting novels [he had] read in the English language. MacHale, Desmond. The Life and Work of George Boole: A Prelude to the Digital Age. Cork University Press. 312 Ramm, Benjamin. The Irish novel that seduced the USSR. |
Literary responses | Ethel M. Dell | The implications of homosexual paedophilia (whose existence Dell was almost certainly unaware of) caused merriment rather than scandal. Rebecca West
published in the New Statesman a few years later an article entitled The Posh Horse... |
Literary responses | Amber Reeves | After the appearance of her first three novels, two critics gave AR
a significant place in accounts of the current state of fiction. R. Brimley Johnson
characterised her as a sex-explorer, free from either... |
Literary responses | Viola Meynell | D. H. Lawrence
, when he saw the first chapter of this book, said it was better than anything [VM
had] done. MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen. 150 |
Literary responses | Dorothy Richardson | The first reviewer, in the Sunday Observer, found DR
's narrative strategy extraordinary, but remarkably clear. He noted that her leaving the reader without explanations or apologies was not in the least troubling or... |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
Intertextuality and Influence | Catherine Carswell | On a brief visit to Tregerthen near Zennor in Cornwall with D. H. Lawrence and his wife
, CC
worked closely with Lawrence
on their respective novel manuscripts. Carswell, John, and Catherine Carswell. “Introduction”. Open the Door!, Virago, p. v - xvii. xii Carswell, Catherine. The Savage Pilgrimage: A Narrative of D. H. Lawrence. Cambridge University Press. 59, 76-8 |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Ethel Mannin | EM
is critical also of palaces of commerce Mannin, Ethel. All Experience. Jarrolds. 66 Mannin, Ethel. All Experience. Jarrolds. 66 |
Intertextuality and Influence | Stella Gibbons | Such earthy regionalists—who include Thomas Hardy
and D. H. Lawrence
, as well as Webb
and Kaye-Smith
—become the butt of SG
's satire in Cold Comfort Farm. Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury. 66, 112 |
Intertextuality and Influence | Ali Smith | As a tribute to institutions of shared literacy and collective engagement, many of the stories here involve reading within and through the public sphere. Two are dedicated to the friendship between D. H. Lawrence
and... |
Intertextuality and Influence | Anna Wickham | Some of the most interesting poems first published in this collection are the playful or satirical responses to other writers. To Men answers a poem of the same title by Ella Wheeler Wilcox
, whose... |
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