Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House.
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Connections Sort ascending | Author name | Excerpt |
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Reception | Evelyn Waugh | The Times Literary Supplement review by Thomas Sturge Moore
, though prominent and lengthy, was more an essay on Rossetti than a review of the book in question, and was in any case not complimentary... |
Publishing | Edna St Vincent Millay | In 1924 Frederic
and Bertha Goudy
printed a limited edition of the title-poem Renascence at their Village Press
, using the very hand press that William Morris
had used for the Kelmscott Chaucer
. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 320 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Jane Francesca, Lady Wilde | JFLW
received £25 for the rights from William Morris
, and in December 1893 he signed one of three hundred copies from the new illustrated edition published by Kelmscott Press
. Melville, Joy. Mother of Oscar. John Murray. 256 |
politics | Annie Besant | She was one of the key figures urging the protest to go ahead despite the order against public processions. It took place on 13 November. When the protesters arrived at Trafalgar Square, they faced... |
Occupation | Walter Pater | While at Brasenose
, he wrote three anonymous essays for the Westminster Review: Coleridge
's Writings, Winckelmann, and The Poetry of William Morris. All three were attacked, says scholar Laurel Brake |
Occupation | Sylvia Pankhurst | SP
made very little money from artistic commissions, but devoted her talents in visual art to the Women's Social and Political Union
. She designed the cover of Votes for Women. Other artistic contributions... |
Literary responses | Christina Rossetti | CR
's critical reputation stood very high from the appearance of Goblin Market, although she was not a popular poet. H. Buxton Forman
in Our Living Poets, 1871, got her middle name wrong... |
Literary responses | Lady Charlotte Elliot | In 1880 Theodore Watts
described this volume as unequal, and noted that the poet was later inclined to disparage her initial publication. Athenæum. J. Lection. 2726 (1880): 124 |
Literary responses | Charlotte Maria Tucker | The Athenæum proclaimed, a more entertaining and salutary story for merry, scatter-brained, careless children has rarely been put on paper. Athenæum. J. Lection. 1843 (1863): 261 |
Leisure and Society | L. T. Meade | These tastes leaned to the pre-Raphaelite, with Morris
hangings and photogravures after Burne-Jones
and Watts
. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 222, 228 Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 223 |
Intertextuality and Influence | Charlotte Yonge | This was one of the most popular novels of the nineteenth century. Two years after it appeared it was the favourite choice of young officers in hospital during the Crimean War. A guardsman confessed that... |
Intertextuality and Influence | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Intertextuality and Influence | Constance Smedley | Jessica and her younger brother, Edgar, both respond with ecstasy to an offer to borrow books they have not already read (William Morris
, William Blake
, [a]nd people I don't know; and books... |
Intertextuality and Influence | Jane Gardam | Gardam's The Hollow Land (addressed to an older age-group) has an epigraph from the prose romance by William Morris
which bears the same title. The land in her book is the Cumbrian fells, full... |
Intertextuality and Influence | Ethel Mannin | EM
mentions spending her earlier years, whilst I was still serious, Mannin, Ethel. All Experience. Jarrolds. 74 Mannin, Ethel. All Experience. Jarrolds. 74, 75 |
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