qtd. in
Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994.
163-4
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Alice Meynell | To many of her contemporaries (especially male contemporaries), AM
symbolised the perfection of Woman and Mother. Many descriptions of her suggest Woolf
's Mrs Ramsay in To the Lighthouse. Coventry Patmore
and Francis Thompson |
Literary responses | Madeleine Lucette Ryley | Critics found Mrs. Grundy quite boring. Max Beerbohm
said in the Saturday Review that most of the characters were conventional stage daubs. The Athenæum maintained that the writing was not the problem, but blamed the... |
Literary responses | George Paston | At the time Max Beerbohm
praised the play in the Saturday Review for its unfeminine willingness to tackle a large subject in serious spirit. qtd. in Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994. 163-4 |
Literary responses | Helen Waddell | The book drew a letter of tribute from Max Beerbohm
. Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable, 1973. 162 |
Literary responses | Ouida | Writing in the year of its publication, Max Beerbohm
argued that the reason for the unusually cordial reception qtd. in Twentieth-Century Literary Criticism. Gale Research, 1978–2025, Numerous volumes. 43: 361 |
Literary responses | Ouida | In An Appreciation of Ouida, Street
singled out for praise her genuine and passionate love of beauty . . . and a genuine and passionate hatred of injustice and oppression. Although he noted that... |
Intertextuality and Influence | Ada Leverson | By now she had contributed parodies of Max Beerbohm
, George Moore
, and others. Burkhart, Charles. Ada Leverson. Twayne, 1973. 24 |
Intertextuality and Influence | Muriel Spark | The story takes place at Geneva in Switzerland (transferred from the Italian scene of the real-llife original), on an estate owned by a Baron Klopstock, among characters of diverse national origins. The protagonist, Lister the... |
Friends, Associates | Constance Smedley | In Birmingham CS
had become friendly with Coulson Kernahan
, through whom she also met Flora Klickmann
. Edgar Pemberton
brought her acquainted with theatrical figures she deeply admired: Sir Charles Wyndham
, and Mary Moore |
Friends, Associates | Evelyn Sharp | ES
wrote later that at no time in her life did she make intimate friends easily. Most people she had to do with she liked up to a certain point only, but she could count... |
Friends, Associates | Lady Ottoline Morrell | LOM
continued to entertain in London, hosting such guests as Ethel Smyth
, Elizabeth Bowen
, Stephen Spender
, Max Beerbohm
, Hope Mirrlees
, Djuna Barnes
, Charlie Chaplin
, the novelist Henry Green |
Friends, Associates | Julia Frankau | Literary figures regularly seen at JF
's afternoon salons included George Moore
, Max Beerbohm
, Arnold Bennett
, Somerset Maugham
, Sir William Nicholson
, and Sir Henry Irving
. It was at one... |
Friends, Associates | Amabel Williams-Ellis | AWE
's friends and associates included Edith Sitwell
, whose poems she often published in The Spectator; Storm Jameson
, a political mentor Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983. 128 |
Friends, Associates | Helen Waddell | Friends from HW
's time at Somerville
included Maude Clarke
, whom she had known as a child and whose Oxford position had been one of the incentives to go there, and archaelogist Helen Lorimer |
Friends, Associates | G. B. Stern | Other plums were Max Beerbohm
, H. G. Wells
, Somerset Maugham
, J. B. Priestley
, and Humbert Wolfe
. Questioned by a reporter about the reason for the party, GBS
suggested that she... |
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