Critical Review. W. Simpkin and R. Marshall.
3d ser. 23 (1811): 195
Connections | Author name Sort descending | Excerpt |
---|---|---|
Family and Intimate relationships | Mary Stockdale | His specialities were scandal, pornography, and blackmail. He was an attacker of the alleged profiteer Mary Anne Clarke
, and claimed to have given her protector the Duke of York
the idea of getting hold... |
Education | Anna Swanwick | |
Cultural formation | Algernon Charles Swinburne | ACS
came from a noble family. His maternal grandparents were George, third earl of Ashburnham
and his wife (who was born Lady Charlotte Percy
). His paternal grandfather, Sir John Edward Swinburne
, owned an... |
Occupation | Algernon Charles Swinburne | Poems and Ballads appeared in 1866. This highly controversial collection, following closely on the heels of two successful plays, firmly established his literary reputation. He published an illustrated book of literary criticism, William Blake
... |
Literary responses | Sydney Owenson, Lady Morgan | This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner, Critical Review. W. Simpkin and R. Marshall. 3d ser. 23 (1811): 195 |
Textual Production | Sylvia Townsend Warner | STW
wrote an opera libretto about the last days of Percy Shelley
, The Sea Change, for musician Paul Nordoff
, who had been commissioned by Columbia University
to write an opera. Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus. 222 |
Intertextuality and Influence | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Travel | Dorothy Wellesley | Dorothy Ashton (later DW
) also spent two months in Florence (which she associated with Percy Bysshe Shelley
and Robert Browning
, while she gave no sign of having heard of the wife of either)... |
Textual Features | Dorothy Wellesley | DW
's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington
, doyenne of the albums... |
Textual Production | Amabel Williams-Ellis | Her completion of the novel was delayed and nearly prevented when she suffered a serious concussion; however, her friend Storm Jameson
helped bring the text to publication by acting as proofreader and advisor. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson. 152 |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Reception | Harriette Wilson | The full title was Confessions of Julia Johnstone, written by herself. In contradiction to the fables of Harriette Wilson. It announces that Johnstone is writing to vindicate her character and those of friends, and... |
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