Percy Bysshe Shelley
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Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Una Marson | UM
's title and epigraph are taken from a line by Shelley
: The desire of the moth for the star, signifying an unattainable love-object. Her volume was introduced by Philip Sherlock
, who drew... |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Intertextuality and Influence | May Sinclair | The collection also contained homages to George Eliot
and Percy Bysshe Shelley
. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973. 39-40 |
Intertextuality and Influence | Alice Meynell | AM
's associations with Aubrey de Vere
, Patmore
, and Meredith
were mutually beneficial. She shared with these poet-mentors the passion and facility for metrical and verbal analysis. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 19 |
Intertextuality and Influence | Mary Shelley | This novel has an epigraph from John Ford
's The Lover's Melancholy, 1629, about the storms and turmoil of human life. Shelley, Mary. Lodore. Editor Vargo, Lisa, Broadview, 1997. 47 |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Charlotte Despard | In this historically-based essay CD
sets out to deal not with individual women but with the great woman-principle. Shaw, Frederick John, editor. The Case for Women’s Suffrage. Unwin, 1907. 190 |
Intertextuality and Influence | Emily Gerard | The title of A Sensitive Plant comes from the poem of the same name by Percy Bysshe Shelley
: his sensitive plant, too, is human, in his case a male poet. The sensitive character depicted... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Literary responses | Sydney Owenson Lady Morgan | This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner, Critical Review. W. Simpkin and R. Marshall, 5 series. 3d ser. 23 (1811): 195 |
Literary responses | Florence Dixie | Holyoake
, the dedicatee, in his prefatory piece (like W. Stewart Ross
commenting on The Story of Ijain) defends FD
's work not only by assertion (it is a a marvel of thought... |
Literary responses | Felicia Hemans | Percy Shelley
, having read her first volume of poems and heard a report of her from his cousin Thomas Medwin
, attempted unsuccessfully and under a pseudonym to establish a correspondence with the teenaged... |
Literary responses | Marguerite Gardiner Countess of Blessington | This book sparked both sensation and controversy. It was the starting point for Blessington's friendships with Isaac D'Israeli
and Edward Bulwer-Lytton
. Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press, 1997. 149 |
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