Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Jane Gardam | The title given these stories may sound sentimental, but in fact it comes from a kind of cake made by a character who, when asked about her health, always replies that this is only one... |
Intertextuality and Influence | Muriel Spark | Spark's interest in Mary Shelley had first been aroused by reading Ariel, André Maurois' life of Percy Shelley
. She said later that writing this book against time for economic reasons and at the... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Emily Gerard | The title of A Sensitive Plant comes from the poem of the same name by Percy Bysshe Shelley
: his sensitive plant, too, is human, in his case a male poet. The sensitive character depicted... |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? Stern, G. B. . And did he stop and speak to you?. Henry Regnery. prelims |
Intertextuality and Influence | Charlotte Despard | In this historically-based essay CD
sets out to deal not with individual women but with the great woman-principle. Shaw, Frederick John, editor. The Case for Women’s Suffrage. Unwin. 190 |
Intertextuality and Influence | Mary Elizabeth Braddon | This story of infidelity features an Italian financier who as a furiously jealous foreigner is compared to Shakespeare's Othello. (At least Provana is not black Braddon, Mary Elizabeth. Beyond These Voices. Hutchinson. 68 |
Intertextuality and Influence | Iris Murdoch | Her title applies to human beings an image which Percy Shelley
applied, in his Ode to the West Wind, to autumn leaves: like ghosts from an enchanter fleeing. Critic Peter J. Conradi
calls this... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Literary responses | Florence Dixie | Holyoake
, the dedicatee, in his prefatory piece (like W. Stewart Ross
commenting on The Story of Ijain) defends FD
's work not only by assertion (it is a a marvel of thought... |
Literary responses | Felicia Hemans | Percy Shelley
, having read her first volume of poems and heard a report of her from his cousin Thomas Medwin
, attempted unsuccessfully and under a pseudonym to establish a correspondence with the teenaged... |
Literary responses | Marguerite Gardiner, Countess of Blessington | This book sparked both sensation and controversy. It was the starting point for Blessington's friendships with Isaac D'Israeli
and Edward Bulwer-Lytton
. Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 149 |
Literary responses | Michael Field | George Meredith
thought the play would act well but added this criticism: I do not find in your dramatic prose the complete ring that there is in the sound and volume of your blank verse... |
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