Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking.
88, 106
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Christina Rossetti | When William
had a poem published in the Athenæum, however, Christina allowed Gabriel
to select and retitle two of her poems for submission. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 88, 106 |
Textual Production | Christina Rossetti | According to biographer Jan Marsh
, she participated vicariously in the activities of the Pre-Raphaelite Brotherhood
from its inception in later 1848. Yet, as Andrew
and Catherine Belsey
have strenuously argued, and as the life... |
Literary responses | Christina Rossetti | Dante Gabriel Rossetti
disliked The Lowest Room, believing it too much influenced by Elizabeth Barrett Browning
's falsetto muscularity. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 184 |
Textual Production | Christina Rossetti | She noted that it was initially titled A Peep at the Goblins in imitation of her cousin Anna Eliza Bray
's recent book, A Peep at the Pixies; Gabriel
came up with the title... |
Publishing | Christina Rossetti | On her own initiative, CR
in 1861 sent several short poems to Macmillan's Magazine. The editor, David Masson
, accepted Up-hill and paid her a guinea for it. Thereafter, she published poems in this... |
Occupation | Christina Rossetti | CR
posed as an artists' model for her brother Dante Gabriel
's painting The Girlhood of Mary Virgin. The next year she took on the same role for his Ecce ancilla Domini! Smulders, Sharon. Christina Rossetti Revisited. Twayne. xi Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 90 |
Textual Features | Christina Rossetti | Among the other poems were a number that dealt with illicit sexuality. Cousin Kate uses ballad metre to explore the sexual double standard and lack of female solidarity. The speaker, a humble cottager seduced by... |
Residence | Christina Rossetti | The Rossetti family was reunited again and living together in William Michael
's house at 45 Upper Albany Street, London—all but Dante Gabriel
, who by this time had chambers of his own. Rossetti, Christina. “Memoir; Notes”. The Poetical Works of Christina Georgina Rossetti, edited by William Michael Rossetti, Norwood, pp. xlv - lxxi; 459. li Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 149-50 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Christina Rossetti | Arthur Munby
read with strong admiration & pleasure Hudson, Derek, and Arthur Joseph Munby. Munby, Man of Two Worlds. J. Murray. 119 |
Textual Production | Christina Rossetti | CR
published the collection Goblin Market and Other Poems with illustrations by Dante Gabriel Rossetti
. Smulders, Sharon. Christina Rossetti Revisited. Twayne. xii Athenæum. J. Lection. 1800 (1862): 558 Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 281 |
Occupation | John Ruskin | Having begun to publish in the 1830s, when he became a champion of J. W. Turner
against established styles of painting, JR
made his name and created a sensation with the appearance of the first... |
Friends, Associates | Mary Shelley | MS
also met the leading women writers of her later years: Jane Porter
, Catherine Gore
, Caroline Norton
, and LEL
. She was friendly, too, with Thomas Moore
, Prosper Mérimée
, Washington Irving |
Family and Intimate relationships | Elizabeth Siddal | Despite Rossetti
's protestations of love and promises of marriage, his relationship with ES
faltered in the spring of 1856 after her return to London. Marsh, Jan. Elizabeth Siddal, 1829-1862: Pre-Raphaelite Artist. The Ruskin Gallery. 15 |
Textual Production | Elizabeth Siddal | The suggestion for publishing these poems had been made by Dante Gabriel Rossetti
, but he made no further effort to publish them. ES
's work therefore languished until William Michael Rossetti
gathered his family's... |
Literary responses | Elizabeth Siddal | Jan Marsh, whose books on ES
are the most sustained studies to date, has done much to raise awareness of ES's significance in the Pre-Raphaelite movement and of the interest of both her visual and... |
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