Street, George Slythe. Letter from Lord Chamberlain’s Office recommending ’Sheila’ for licence.
Jacob Thomas Grein
Standard Name: Grein, Jacob Thomas
Used Form: J. T. Grein
|Connections Sort descending||Author name||Excerpt|
|Literary responses||Edith Lyttelton||
The play received mixed responses. The most enthusiastic review came from J. T. Grein , founder of the Independent Theatre Society , in the Westminster Gazette: The miracle of miracles! Here we have upon...
|Literary responses||Emmuska, Baroness Orczy|
|Literary responses||Githa Sowerby||
G. S. Street 's letter from the Lord Chamberlain's office recommending the play for licence observed sympathetically that [t]he emotions are subtle—too much so, I fear, for the ordinary critics and public.
He added (in...
|Performance of text||Henrik Ibsen||
HI 's naturalist play Ghosts, which shocked audiences all over the world with its frank treatment of syphilis, had its first English performance, produced by J. T. Grein at the Royalty Theatre in London.
McFarlane, James, editor. The Cambridge Companion to Ibsen. Cambridge University Press, 1994.
Roose-Evans, James. London Theatre from the Globe to the National. Phaidon, 1977.
|Performance of text||Elizabeth Robins|
|Performance of text||George Bernard Shaw||
GBS 's first play to receive a performance, Widowers' Houses, a socialist critique of landlords' exploitation of poor tenants, was privately produced at J. T. Grein 's Independent Theatre in London.
Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998.
Innes, Christopher. Modern British Drama, 1890-1990. Cambridge University Press, 1992.
Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982.
|Performance of text||Christopher St John||
CSJ 's first dramatic adaptation/translation, The Good Hope, done in collaboration with Jacob Thomas Grein , was produced by the Stage Society at the Imperial Theatre , London.
Who Was Who in the Theatre: 1912-1976. Gale Research, 1978.
Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973.
Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell, 1998.
|Textual Production||Michael Field||
Oscar Wilde , William Archer , and John Gray were in the audience on the opening night.
Wilde had written to the authors with casting advice. He suggested they should have the theatre's founder, J. T. Grein
Field, Michael. “Introduction”. Sight and Song; with, Underneath the Bough, edited by R. K. R. Thornton and Ian Small, Woodstock Books, 1993.