Jean-Jacques Rousseau

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Standard Name: Rousseau, Jean-Jacques

Connections

Connections Sort ascending Author name Excerpt
Literary responses Sydney Owenson, Lady Morgan
Critics in general, from first publication onwards, tended to identify Sydney Owenson with her heroine; the name Glorvina stuck to her thenceforward. The Critical Review (whose notice spelled this name wrong throughout) said it could...
Literary responses Amelia Opie
The Critical Review, which had praised AO 's earlier work, thought this novel equally well done, and that the description of the heroine's death could stand comparison with those of Richardson 's Clarissa or...
Literary responses E. Arnot Robertson
J. B. Priestley , focussing on the noble-savage aspects of this story, complained that its characters do not really come from Borneo, they come from Rousseau and cloud-cuckoo land.
Devlin, Polly, and E. Arnot Robertson. “Introduction”. Four Frightened People, Virago, p. vii - xix.
ix
Vita Sackville West , however...
Intertextuality and Influence Mary Shelley
As it stands, Frankenstein is no ghost story, though it is rich in the uncanny, and aims to chill its reader's blood. MS shows an astonishing power for such a young author of weaving together...
Intertextuality and Influence Mary Ann Kelty
The book bears in various details the influence of Jane Austen , though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau on the topic of the sensitive...
Intertextuality and Influence Sophia King
The novel opens with a philosophical dialogue (between males) which makes reference to Voltaire , Hume , Rousseau , and Godwin 's Caleb Williams. Its subtitle sounds like a pointer to autobiographical content, and...
Intertextuality and Influence Germaine de Staël
Rousseau , along with Montesquieu , was one of the formative influences on the young GS .
Winegarten, Renee. Mme de Staël. Berg.
6
Intertextuality and Influence George Eliot
As she moved on intellectually from her religious youth, she became steeped in the Higher Criticism of the Bible, and increasingly interested in alternative explanatory systems, particularly those of social science—including Herbert Spencer ...
Intertextuality and Influence Germaine de Staël
Among other things this is an answer to Rousseau 's Julie; ou, La nouvelle Héloïse, 1761 (in which GS found the famous line about the soul having no sex). It is also a response...
Intertextuality and Influence Eliza Fenwick
This epistolary novel, set mainly in a castle with secret passages connecting to a monastic ruin , deals with strictly contemporary issues of power and independence. It reflects the influence of EF 's friend Wollstonecraft
Intertextuality and Influence Catharine Macaulay
The letters are addressed to Hortensia (the name of a Roman matron who acted against gender convention by speaking publicly in the Forum against a proposed tax on women).
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
115
This name had been used...
Intertextuality and Influence Ann Thicknesse
Richard Graves may have been disappointed, for the introduction and early lives are substantially the same as in the 1778 version which he had already read (though Hester Mulso Chapone has been added to the...
Intertextuality and Influence Stéphanie-Félicité de Genlis
This work of pedagogy takes the form of an epistolary novel: a picture of contemporary culture, since its range of reference to other texts is wide. It assumes, like Rousseau 's Nouvelle Héloïse, the...
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...
Intertextuality and Influence Helen Maria Williams
This novel re-writes Rousseau 's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan 's Sidney Bidulph or Henry Mackenzie 's Julia de Roubigné.
Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon.
33
The love-triangle of Williams's Julia is...

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