Ackroyd, Peter. T.S. Eliot. Hamish Hamilton.
192-3
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Education | T. S. Eliot | After the private boys' school Smith Academy
in St Louis (founded by his grandfather) TSE
went on in fall 1906 to Harvard
(where the President was his cousin). He took his BA in literature and... |
Employer | T. S. Eliot | TSE
took leave of absence from his job with Faber and Faber
to accept an invitation from Harvard University
to hold the Charles Eliot Norton
professorship at Harvard for the academic year 1932-33. Ackroyd, Peter. T.S. Eliot. Hamish Hamilton. 192-3 |
Publishing | Emily Dickinson | Notwithstanding the fact that Johnson's 1955 edition became the standard form of the poems, the challenge of representing ED
's letter-poems in their multiple manuscript versions along with their varied transmission and publication history is... |
Textual Production | Alicia D'Anvers | This time she published anonymously (the English Short Title Catalogue still in 2016 lacks an ascription to her): a contemporary note in a copy at Harvard
says the poem is hers. The poem appeared from... |
Textual Production | Hannah Cowley | HC
's papers are held by Yale
and Harvard Universities
. Mahotière, Mary de la. Hannah Cowley, Tiverton’s Playwright and Pioneer Feminist (1743-1809). Devon Books. 8 |
Family and Intimate relationships | Lydia Maria Child | Her brother Convers Francis, six years older, influenced her education through his love of books. He later became a clergyman and held a professorship of theology at Harvard College
. Whittier, John Greenleaf, and Lydia Maria Child. “Introduction”. Letters of Lydia Maria Child, Arno Press and The New York Times, p. v - xxv. v |
Textual Production | Lady Eleanor Butler | LEB
and Sarah Ponsonby
wrote some of their voluminous correspondence jointly. Writing was one of their major pleasures; they selected paper with loving care, and kept an equally careful tally of replies received and of... |
Textual Production | Frances Brooke | Harvard University
holds the manuscript of a pastoral, a farce, letters. In 2011 Harvard reported that it had digitized twenty-four letters from her to Richard Gifford
(plus letters from Gifford to Brooke, and songs in... |
Textual Production | Anne Bradstreet | As weary pilgrim is the only poem to survive in AB
's own handwriting. It is tipped in at the back of the small volume of Meditations that she gave her son Simon (now known... |
Textual Production | Anne Bradstreet | AB
left various brief prose pieces: To My Dear Children, a little spiritual autobiography in the mother's legacy tradition, in which she argues that God works by teaching through tribulation. She left a series... |
Textual Production | Mary Elizabeth Braddon | Harvard
's Houghton Library
has a number of significant manuscripts by MEB
including notebooks as well as novels. The extensive collection of her printed titles and manuscripts owned by Robert Lee Wolff
of Harvard University |
Textual Production | Elizabeth Boyd | She dedicated it to her patron Lady Hertford
. The British Library
copy is 12604 ccc. 7. Harvard University
holds the only known copy of an undated set of subscription proposals, which is headed Any... |
Friends, Associates | Mathilde Blind | Other important friends include Dr Louis Mond
, the American Moncure Conway
(who had lost a position at Harvard
for preaching against slavery), Richard Garnett
(who began calling her by her first name in 1870)... |
Residence | Caroline Blackwood | Before they were married Blackwood and Lowell lived (in domestic squalor) on the top floor of the London house she had bought in 1970: 80 Redcliffe Square in Chelsea. Meanwhile Israel Citkowitz
(now beginning... |
Employer | Elizabeth Bishop | After a six-month appointment at the University of Washington
in Seattle in 1966, EB
went on to teach on and off for years at Harvard
and briefly at New York University
. Astley, Neil. “Elizabeth Bishop: A Bibliography; Elizabeth Bishop: Chronology”. Elizabeth Bishop: Poet of the Periphery, edited by Linda Anderson and Jo Shapcott, Bloodaxe Books, pp. 175-00. 198, 199, 200 |
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