Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press.
xxv
Court Theatre
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | George Bernard Shaw | Press Cuttings, a one-act suffrage play by GBS
, was first performed at a private reception at the Court Theatre
in London. |
| Performance of text | Elizabeth Baker | Two years later, on 30 March 1927, it was performed at London's Court Theatre
. It was published by Ernest Benn
in 1927. |
| Performance of text | W. B. Yeats | Where There Is Nothing, a play by WBY
, opened at London's Court Theatre
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 10 |
| Performance of text | Inez Bensusan | IB
's first play, a one-act suffrage drama entitled The Apple, had one matinee performance by the Play Actors
at the Court Theatre
in London. Stowell, Sheila. A Stage of Their Own. University of Michigan Press. 46 Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 508 |
| Author summary | Elizabeth Baker | Elizabeth Baker
's drama often deals with feminist and economic issues facing struggling middle-class families. Her casts of characters include feisty, independent young women seeking emancipation and sympathetic men burdened with supporting a family on... |
| Textual Production | Harriett Jay | This did even better than most of their joint plays, clocking up their longest consecutive run (256 performances). Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
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