Sayers, Dorothy L. et al. “The Scoop: Parts I-XII”. The Listener, Vol.
5
. Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Dorothy L. Sayers | The BBC
filmed five Wimsey novels (set in the 1920s) with Ian Carmichael
playing the sleuth, then added the three Harriet Vane mysteries, set in the 1930s. |
Performance of text | Dorothy L. Sayers | DLS
organised an experimental radio mystery play, The Scoop, by herself and Detection Club
members E. C. Bentley
, Anthony Berkeley
, Freeman Wills Crofts
, and Clemence Dane
. It was broadcast serially on the BBC
. Sayers, Dorothy L. et al. “The Scoop: Parts I-XII”. The Listener, Vol. 5 . |
Performance of text | Dorothy L. Sayers | |
Performance of text | E. J. Scovell | This volume, titled from the space that gives depth to a landscape, Scovell, E. J. The Space Between. Secker and Warburg. 70 |
Fictionalization | Mary Seacole | Scholars of colonial discourse such as Simon Gikandi have found in her newly available narrative an avenue for exploring the complexity of the colonial subject's construction of identity, against whom to read better-known Victorian women... |
Family and Intimate relationships | Kamila Shamsie | Hosain remained in London, and eventually took up a job with the BBC
. During her time as a broadcaster, she presented her own women's programme for the BBC's Eastern Service, worked variously for the... |
Employer | Jo Shapcott | JS
began teaching English at Rolle College
in Exmouth (one of the three main campuses of the University of Plymouth
, which, however, is due to be relocated in a movement towards centralization). She then... |
Material Conditions of Writing | Carol Shields | While she was enrolled in a magazine-writing course at the University of Toronto
, CS
wrote a story which to her amazement her instructor arranged to have broadcast on the CBC
, and over the... |
Literary responses | Penelope Shuttle | Rosemary Dinnage
in a Times Literary Supplement review contrasted contemporary openness about childbirth with the continuing block on mentioning menstruation. She cited a recent example in which Margaret Drabble
had mentioned the subject on BBC |
Textual Production | Penelope Shuttle | |
Textual Production | Dodie Smith | Dear Octopus was revived almost immediately at the Adelphi
, in July and August of 1940, and it remains DS
's most frequently revived play. It was published by Heinemann in 1938. Gale, Maggie B. West End Women: Women and the London Stage, 1918-1962. Routledge. 226 Grove, Valerie. Dear Dodie: The Life of Dodie Smith. Chatto and Windus. 107 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Dodie Smith | DS
found herself increasingly out of step with the new drama being produced in London since the advent of the Angry Young Men. She could tolerate John Osborne
and even admired Shelagh Delaney
... |
Literary responses | Dodie Smith | The book was immediately popular. Noel Streatfeild
chose it as her Book of the Month in Young Elizabethan magazine, and Foyle's Children's Book Club
bought 20,000 copies. Reviews were glowing: the Times Literary Supplement described... |
Textual Production | Stevie Smith | |
Textual Production | Stevie Smith | SS
was interviewed by Derek Hart
for the BBC
Home Service; the interview is now available over the internet. “BBC Audio Interviews”. BBC Radio 4. |
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