Cambridge University Press

Connections

Connections Author name Excerpt
Reception E. Owens Blackburne
In the same preface EOB promises to include some previously unpublished poems by William Wordsworth , apparently in connection with the Ladies of Llangollen. Between the publication of the two volumes, however, Wordsworth's son forbade...
Reception Frances Power Cobbe
It was recommended to James Martineau by Francis W. Newman , brother of the famous tractarian , as a revelation of a pure, tender, ardent spirit.
Mitchell, Sally. Frances Power Cobbe: Victorian Feminist, Journalist, Reformer. University of Virginia Press.
81
It was reviewed alongside Francis Newman 's Theism...
Reception Anne Thackeray Ritchie
The work was reissued by Cambridge University Press in 2010, online and in print-on-demand format.
Ritchie, Anne Thackeray. A Book of Sibyls: Mrs. Barbauld, Miss Edgeworth, Mrs. Opie, Miss Austen. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception Grace Aguilar
The Women of Israel went into its sixth English edition by 1870 and was published, as were most of GA 's works, in many successive editions in the US. It was reissued by Cambridge University Press
Reception Jane Williams
JW 's A History of Wales was reissued by Cambridge University Press in 2010, online and in print-on-demand format.
Williams, Jane. A History of Wales. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception Jane Austen
In 1933 there was excitement in the book-collecting world when a small collection of books that Austen had owned (by writers like Ariosto , Goldsmith , Hume , and Thomson ) appeared in the catalogue...
Textual Production Elizabeth Carter
Pennington's contribution is a biography, informal in structure but formal and reverential in tone. It is now available in Cambridge University Press 's Cambridge Library Collection online and in print-on-demand format; see www.cambridge.org/clc.
Textual Production Millicent Garrett Fawcett
Since her resignation as President of the National Union of Women's Suffrage Societies , she had more time for her writing, which she enjoyed.
Strachey, Ray. Millicent Garrett Fawcett. J. Murray.
343-3
This work was re-issued by Cambridge University Press in 2011,online...
Textual Production Fleur Adcock
FA 's Hugh Primas and the Archpoet, published by Cambridge University Press , is a volume of modern verse translations of two twelfth-century poets who wrote originally in Latin.
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
Textual Production Elizabeth Montagu
Climenson was Montagu's great-great-niece. She wrote the memoir using bundles of Montagu's memoranda, note-books, diaries, verses, and other material, as well as some of the four or five thousand letters comprising Montagu's correspondence.
Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable.
1: v
Textual Production E. M. Forster
Shortly after Woolf 's death, Cambridge University Press published EMF 's Virginia Woolf : The Rede Lecture.
Kirkpatrick, Brownlee Jean. A Bibliography of E. M. Forster. Clarendon.
53
Textual Production Q. D. Leavis
Two years after the author's death, Cambridge University Press published the first volume in a three-volume series of QDL 's Collected Essays; the other two volumes appeared in 1985 and 1989.
Whitaker’s Books in Print. J. Whitaker and Sons.
(1988)
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Textual Production Anna Letitia Barbauld
Early that year, following the death of Richardson's last surviving daughter, Richard Phillips had acquired an amazing hoard of Richardson letters. Phillips was unpleasant to work for, both bullying and suspicious, but for her editorial...

Timeline

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Texts

McDowell, Paula. “Women and the business of print”. Women and Literature in Britain, 1700-1800, edited by Vivien Jones, Cambridge University Press, 2000, pp. 135-54.
McFarlane, James, editor. The Cambridge Companion to Ibsen. Cambridge University Press, 1994.
McKenzie, Donald Francis. Bibliography and the Sociology of Texts. Cambridge University Press, 1999.
McMaster, Juliet. “Class”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 1997, pp. 115-30.
McMaster, Juliet. “What Daisy knew: the epistemology of the child writer”. The Child Writer from Austen to Woolf, Cambridge University Press, 2005, pp. 51-69.
McWilliams-Tullberg, Rita. Women at Cambridge. Cambridge University Press, 1998.
Meredith, Louisa Anne. My Home in Tasmania. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Meredith, Louisa Anne. Notes and Sketches of New South Wales. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Merkin, Ros. “The religion of socialism or a pleasant Sunday afternoon?: The ILP Arts Guild”. British Theatre between the Wars, 1918-1939, edited by Clive Barker and Maggie B. Gale, Cambridge University Press, 2000, pp. 162-89.
Middleton, Thomas. The Selected Plays of Thomas Middleton. Editor Frost, David L., Cambridge University Press, 1978.
Millard, Andre J. America on Record: A History of Recorded Sound. Cambridge University Press, 1995.
Mitford, Mary Russell. Recollections of a Literary Life; or, Books, Places and People. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Montagu, Lady Mary Wortley. The Letters and Works of Lady Mary Wortley Montagu. Editor Thomas, W. Moy, Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Montefiore, Charlotte. A Few Words to the Jews. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Moody, Jane. “Illusions of authorship”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, 1999, pp. 99-124.
More, Hannah. Strictures on the Modern System of Female Education. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Morgan, Roger. The German Social Democrats and the First International, 1864-1872. Cambridge University Press, 1965.
Moscucci, Ornella. The Science of Woman: Gynaecology and Gender in England, 1800-1929. Cambridge University Press, 1990.
Moskal, Jeanne. “English National Identity in Mariana Starke’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Sword of Peace</span>: India, Abolition, and the Rights of Women”. Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840, edited by Catherine Burroughs, Cambridge University Press, 2000.
Murdoch, Iris. The Sovereignty of Good. Cambridge University Press, 1967.
Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, 1999, pp. xvii - xxxi; 1.
Neeson, J. M. Commoners: Common Right, Enclosure and Social Change in England, 1700-1820. Cambridge University Press, 1993.
Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973.
Nightingale, Florence. Notes on Nursing. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Norton, Caroline. A Letter to the Queen on Lord Chancellor Cranworth’s Marriage and Divorce Bill. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.