Enright, Anne. “An annoyance to Irish literary males”. Guardian Weekly, pp. 38-9.
38
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Tillie Olsen | She returned to the novel in the 1960s (heartened by the publication of her short-story volume) with a different slate of potential publishers. She wriggled out of her commitment to Viking
(to their indignation) and... |
Publishing | Tillie Olsen | The stories were I Stand Here Ironing, Hey Sailor, What Ship?, O Yes, and the title story. Lippincott
, who first published the volume, lost money on it. It was published in... |
Family and Intimate relationships | Edna O'Brien | Ernest was by this time a relatively successful writer, but a controlling and disappointed man who was jealous of her talent. Enright, Anne. “An annoyance to Irish literary males”. Guardian Weekly, pp. 38-9. 38 |
Publishing | Alice Munro | Macmillan sold the book at $10.95 (a dollar higher than they had intended) and early in 1979 needed to supplement their first print-run of 8,500 with another 2,500 copies. Thacker, Robert. Alice Munro. McClelland and Stewart. 352 |
Publishing | Nancy Mitford | This was reprinted in a Vintage
edition for Knopf Doubleday
in 2013, along with re-issues of other NM
novels, both early and better-known. |
Publishing | Nancy Mitford | Wigs on the Green and its predecessor, Christmas Pudding were re-issued in Vintage
editions for Knopf Doubleday
in 2013, in one volume with an introduction by Jane Smiley
. |
Publishing | Jennifer Johnston | |
Textual Production | Patricia Highsmith | PH
published (after a long struggle) her novel The Two Faces of January with Heinemann
, and later that same year it became the first of her books to be published by Doubleday
in New York. Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press. 129-30 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. The British National Bibliography. Council of the British National Bibliography; British Library, Bibliographic Services Division. |
Publishing | Patricia Highsmith | Doubleday
published PH
's novel The Glass Cell, but only after compelling her to do a great deal of painful cutting which left some pages of the former version only three lines long. Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury. 250 Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press. 124, 130 |
Publishing | Patricia Highsmith | PH
's crime novel without a murder appeared first as The Story-Teller in New York (for Doubleday
's Crime Club) and later in the UK for Heinemann
as A Suspension of Mercy. Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury. 256-7 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Contemporary Authors: New Revision Series. Gale Research. 62 |
Textual Production | Patricia Highsmith | |
Publishing | Patricia Highsmith | The first version was rejected by Harper and Row
with the comment: A book can stand one or even two neurotics, but not three who are the main characters. Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press. 128 |
Textual Production | Patricia Highsmith | |
Literary responses | Patricia Highsmith | Her Doubleday
editor wrote: although it was so very complex, it all fell together beautifully. . . . She was what I call a real caviar writer. Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury. 281 |
Textual Production | Patricia Highsmith |
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