Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 157-73.
169, 172
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Carol Ann Duffy | In late 2016, after Britain had narrowly voted in favour of Brexit, CAD
blended words of her own with those spoken by people nationwide, aged 9 to 97, across the United Kingdom, in interviews with... |
Textual Features | Bernardine Evaristo | Among others she includes a Newcastle orphan in 1905 and a feminist squatter in 1980. The dedication reads: For the sisters & the sistas & the sistahs & the sistren / & the women &... |
Textual Production | Pam Gems | PG
's play Stanley, in which Antony Sher
starred as the painter Stanley Spencer
, opened at the National Theatre Cottesloe
. It was published the same year. Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 157-73. 169, 172 Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers. 25 “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 65483 (23 January 1996): 39 |
Literary responses | Pam Gems | This play brought PG
's work to the attention of critics and playgoers alike. While reviews were generally quite positive, some had difficulty accepting the play's feminist perspective. For instance, Ted Whitehead
in The Spectator... |
Performance of text | Pam Gems | PG
adapted and translated several Chekhov plays over the following decades. In 1984 her version of The Cherry Orchard opened at the Haymarket Theatre
in Leicester, and in 2007 it was directed by Jonathan Miller |
Performance of text | Jackie Kay | JK
's short play Take Away, a story (reminiscent of that of the Pied Piper) about a town desperately seeking to get rid of its onions, was performed at the National Theatre
on 29... |
Anthologization | Bryony Lavery | BL
's More Light, a play for children of secondary-school age commissioned by the Education Department of the Royal National Theatre
, was published by Faber and Faber
in New Connections: New Plays for Young People. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Bryony Lavery | BL
's play Frozen was published in the same month that it reached the stage of the Cottesloe Theatre in London (the smallest auditorium at the Royal National Theatre
). Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. “Bryony Lavery”. doollee.com: Playwrights. |
Performance of text | Bryony Lavery | BL
's stage adaptation of Treasure Island by Robert Louis Stevenson
opened as a Christmas show at the National Theatre
. Horspool, David. “Knockabout on Treasure Island”. Times Literary Supplement. |
Performance of text | Bryony Lavery | Faber reprinted the BL
play in a slim volume on its own in 2001. Both this and a companion piece, Red Sky (in which modern archaeologists encounter the fragile and beautiful traces of the past)... |
Textual Production | Bryony Lavery | It was four years before Trevor Nunn
, director of the National Theatre
, managed to arrange a move from Birmingham to the Cottesloe Theatre in London for this play, with its original cast. |
Textual Production | Bryony Lavery | After her American success of Frozen, BL
planned an adaptation of Dracula to premiere at Princeton University
in June 2004, and Discontented Winter: House Remix as a youth play for the National Theatre
in... |
Textual Production | Liz Lochhead | LL
has written several plays for children and adolescents. These include Disgusting Objects, a play about schoolgirls' first encounter with sexism written for the Scottish Youth Theatre
in 1982, and Shanghaied, a play... |
Occupation | Edith Lyttelton | EL
served on boards of several theatres, including the Vic-Wells
, the National Theatre
, and the Shakespeare Memorial Theatre
at Stratford upon Avon. She was particularly devoted to the National Theatre cause and... |
Family and Intimate relationships | Edith Lyttelton | After EL
's death, Oliver Lyttelton
carried on his mother's work for the National Theatre
as an act of filial piety, Oliver Lyttelton, first Viscount Chandos,. The Memoirs of Lord Chandos. Bodley Head. xv |
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